Word: fatha
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Dates: during 1960-1969
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Step up and take a look at the U.S.'s latest secret weapon. A hot missile? No, a cool cat-Earl ("Fatha") Hines, jazz pianist nonpareil. Fatha and his sextet were midway through a six-week cultural swing through Russia last week when the Soviets decided that he was just too culturally dangerous. Perhaps it was because Hines & Co. had been wowing S.R.O. audiences everywhere. In Kiev, 10,000 youngsters had packed the Sports Palace, and Hines stirred up a swirling, rhythmic turbulence that had the Russians snapping their fingers like Hollywood hippies...
Meanwhile, Cole was also topping the jazz polls for his "floating swing" style of piano in the tradition of his idol, Earl ("Fatha") Hines. Cole became a strong force in jazz, influenced the styles of such greats as Bill Evans, Ray Charles, Oscar Peterson. The event that helped turn him permanently into a singer was the unlikely appearance in 1948 of a bearded, barefoot hermit-songwriter named Eden Ahbez, who smuggled one of his songs to Cole through his valet. It was called Nature Boy, and Cole's haunting version of it became a runaway bestseller. He soon broke...
...boom is everywhere. San Francisco now has Earl ("Fatha") Hines, Kid Ory and Marty Marsala. Chicago has Art Hodes, Bill Reinhardt, Franz Jackson and his Dixieland All-Stars, a popular and authentic group, the average age of whose members is 65. In New Orleans the big names are Pete Fountain, Al Hirt, Mike Lala. And almost anywhere the Dukes of Dixieland can be heard. "The customers," explains one jazz critic, "like to get loaded and imitate trombones...