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...company in the family's interest. Mosley details how this proud man was genuinely aggrieved and confounded when a government committee led by Alger Hiss investigated du Pont's World War I activities and accused them of gross profiteering. He simply could not fathom the criticism. In his mind had it not been for du Pont's efforts, the allies would not have had enough gunpowder...

Author: By Esme C. Murphy, | Title: Tending the Family Business | 4/14/1980 | See Source »

Brother Blue was slotted to play Lear but quit. 'It's the greatest play ever written," Blue exclaimed, gesturing wildly at intermission opening night. "It's just such a great role." But Blue felt he could not reach the level of intensity he had sought, nor could he fathom the depths of Lear's psyche. So he told Sellars he could not go on. "They say Paul Scofield took ten years preparing for this role," Blue lamented. Sellars had allotted him only several weeks. Days before the scheduled opening last Tuesday, Sellars had no Lear. Pinched, he opted to play...

Author: By David Frankel, | Title: A Tragedy of Excess | 2/29/1980 | See Source »

...also the story of an apartment in Bangkok, and tourists lured there by a pleasant Frenchman, a beacon of polite familiarity in an unfamiliar continent. Thompson describes how one by one, couples and lone tourists fell prey to the magic of Sobhraj. Sobhraj's powers are almost impossible to fathom--as even the author admits--but the naivete of those who fall into his trap is even harder to understand. "Months later," Thompson writers, "an Interpol detective in Paris, would study the case and wonder why in the name of God these poor people didn't figure out what...

Author: By Robert O. Boorstin, | Title: A Snake in the Asian Grass | 10/20/1979 | See Source »

...cords running from arms to torso. Dooley moves with admirable lightness, assisted by John Morris' delicate flutes, harp and chimes. His speech, however, is erratic; and his discourse (in a harpy's disguise) to the villainous nobles is an almost total loss. In "Come unto these yellow sands," "Full fathom five," and "Where the bee sucks" Ariel has three of Shakespeare's loveliest lyrics; but Morris' supporting vocalists cannot hide the fact that Dooley is simply no singer. The yardstick for the role remains Clayton Corzatte--who moved, spoke and sang to perfection...

Author: By Caldwell Titcomb, | Title: Serving the Eye Better than the Ear | 8/7/1979 | See Source »

...highlight the pathologically paranoid mood of the last years of the Nixon administration and the Watergate coverup. Intellectually it goes deeper than this; Hackman pain-stakingly and convincingly becomes a man who just can't handle the perversity and technical inhumanity of his occupation, and who begins to fathom the horror of people like him turning around and persecuting people like him. Dramatically, its suspense becomes brilliantly tense (in the sanitary paper wrapped around the motel toilet seat scene, for example). A good film, more disturbing the second time around...

Author: NO WRITER ATTRIBUTED | Title: Just Because You're Paranoid... | 4/26/1979 | See Source »

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