Word: fats
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Dates: during 1910-1919
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...play has, until this revival, never been acted in Boston--a strange fact when one considers the human interest and particularly the humor that it yields in actual performance. The fat Knight and his followers appear in their most amusing vein; the old King presents a moving figure of a dying monarch and father; and his son, Prince Hal, is a most interesting character study of the mind and heart of one who combines humanity and loyalty...
March 5.--Dr. W. R. Bloor '08: The role of fat in the nutrition...
...some members of one or more clubs will forget or not understand some provisions of the agreement and do something which will seem to the members of some other club or clubs to violate its terms. They in turn may be tempted to retaliate in kind, and then the fat will be in the fire. If the members of the clubs will keep in mind the essence of the agreement, which is that no attempts to influence a man as to his club affiliations are to be made until the opening of College in his Sophomore year, and will take...
...serving rooms were established in the basement; and a ceiling made of mortar on wooden laths was placed on the underside of the wooden floor-timbers of the hall itself. The apparatus installed worked well and safely for several years; but one day a huge pot of melted fat took fire on one of the ranges; and immediately the kitchens were filled with hot smoke, which soon rushed through the ventilating fine and heated it to a dangerous degree. The city fire department quickly extinguished the flames before the fire had burnt through the floor of the dining room...
...practical Gaston, was the feature of the performance. Mme. Baldensperger played her part with a fine artistic reserve which was characteristically French. Miss Fogler as the younger sister, was charming and not too effusive and Mme. Darmand took advantage of the comic elements in the role of Choice, "fat and forty," but still a devotee of romance. R. D. Skinner '15 was effective as the jealous husband, although his expressions at times bespoke rather those of the villain of melodrama. M. Darmand was a masterly Claude Barrois, thoroughly finished in his action and singularly successful in change of mood...