Word: fats
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Dates: during 1930-1939
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...omits one interesting detail. On the road running between Belfast and Waterville and between Belfast and Augusta, I have more than once seen signs reading "Cornfed night crawlers." The first time I saw this sign, I was puzzled and stopped to ask a farmer what it meant. "Worms, and fat ones," he explained with scorn for my ignorance...
Pittsburgh's Jones & Laughlin Steel Corp., which not only recognized the Steel Workers Organizing Committee but signed an exclusive bargaining contract, apparently had as little trouble with the union as U. S. Steel. First-half profits were up from a measly $182,000 in 1936 to a fat $4,400,000 in 1937. For American Rolling Mill, whose name is not among the 260 steel companies in the C. I. O. fold, the six-month period was the best in its history-$6,600,000, more than the figure for the entire year 1929. Ernest Tener Weir...
Under five feet, pumpkin-cheeked, with a button nose and a buttonhole mouth "nearly in the centre of his visage," a double chin that hung like an udder, deep red hair, high-domed forehead, big ears and plenty of fat. set off by the loudest clothes to be found in a loud century, Gibbon's personal appearance was the most noticeable of the handicaps reputed to have combined to produce the perfect historian...
...time Montague had been around Hollywood for a year or two, he was sharing a house with fat Comedian Oliver Hardy whom he could lift with one hand. He golfed with celebrities like Bing Crosby, and joined the Lakeside Club where the rumor was that he amused the members one day by standing husky Cinemactor George Bancroft on his head in his locker and closing the door. Through his social success, John Montague retained his peculiar shyness. Whence he came or where he got his money, he told no one. His friends were either too afraid or polite...
...things Russian-rotten leather or duck," she found them more attractive than they were painted. Spanish bullfights (where she admired the bulls more than the matadors) were much more interesting than European picture galleries. A Rubens subject was "nauseating because she looked as if she would melt into thick fat if she were squeezed." Another painter gave his girls eyes "like rotting goose-berries." French women were "very fidgety" but she took careful notes on what they could teach Japanese women about coquetry. From Italy she carried away an impression of Fascism "as disagreeable as bones that stick...