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Word: fats (lookup in dictionary) (lookup stats)
Dates: during 1950-1959
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Usage:

...more numerous than their brothers who become public spectacles. These sometimes blow up on stage, e.g., David Poleri, who three years ago walked off Chicago's Civic Opera House stage just before he was supposed to stab his Carmen; or display such neurotic symptoms as getting too fat, e.g., Mario Lanza; or become overtly adventurous, e.g., Caruso was arrested for making a pass at a woman in the monkey house of the Central Park...

Author: /time Magazine | Title: Music: Much Ado About Tenors | 4/16/1956 | See Source »

...luckier cows who lived nearer the Common didn't need to travel overland. The good grass made them so fat and valuable to their wily purtanical owners that they lived in the stalls in owners' own houses...

Author: By Jonathan Beecher, | Title: Cow-Tunnels | 4/14/1956 | See Source »

...Juliet has been a favorite of Russian audiences ever since it was premiered at Leningrad's Kirov Theater in 1940. It has plenty of pageantry, a familiar, heart-wrenching plot sufficiently removed from the realities of the Socialist state to be acceptable on all levels, and a fat part for Russia's legendary Prima Ballerina Galina Ulanova, now 46. The Russians, well aware that...

Author: /time Magazine | Title: Music: Ballet on Film | 4/9/1956 | See Source »

Serenade (Warner) seems to indicate that humpty-dumpty Tenor Mario Lanza has put himself together again. He had a great fall several years ago when he rolled off the top of the heap for no apparent reason but his own fat-over 250 lbs. of it, with an undue proportion apparently located in the head. This picture proves that he is still the biggest thing in the cinemusic business: at "singing weight" (240 lbs.), he looks like a colossal ravioli set on toothpicks, and his face, aflame with rich living, has much the appearance of a gigantic red pepper...

Author: /time Magazine | Title: Cinema: The New Pictures, Apr. 9, 1956 | 4/9/1956 | See Source »

...target, it has already hit the bull's-eye of high finance. The Hollywood team of Hecht-Lancaster has paid Author Shaw the record prepublication sum of $400,000 for the film rights to his novel with a possible $350,000 more. His publishers are running off a fat initial printing of 50,000 copies, and Lucy seems assured of elbowing her way into top company on current bestseller lists...

Author: /time Magazine | Title: Books: Paper Doll | 4/2/1956 | See Source »

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