Word: fats
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Dates: during 1950-1959
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...Sand. To visitors last week, the foundry was still the place of weird shapes and leaping shadow that Duchamp-Villon and Brancusi knew well. In one room, sweet-smelling brown wax boiled on a rosy, potbellied stove. In the 100-ft.-long casting shed, coke fires hissed under fat crucibles shaped like medieval cannons, and overhead hoists trundled swaddled casts to their firing-pits. In a finishing room, a workman lay in the arms of a large bronze nude, reverently polishing her nose. In another corner, Marc Chagall supervised the application of a patina to his latest piece. Mustache quivering...
Instead of cylinders and pistons, the Wankel engine has a single combustion chamber shaped like a fat-waisted figure eight (see diagram). Inside, it is a three-cornered rotor with curved sides. A shaft passes through the rotor and makes it move on an eccentric orbit by means of two gears. All three corners of the triangle stay in contact with the wall of the chamber at all times. To make the contacts gaslight, each corner is tipped with an inset metal strip that, as the drive shaft revolves, is pushed tight against the cavity's inner walls...
...last two weeks would drive me crazy. I haven't studied a lick the whole time." By week's end, Perry Lee was already talking like a Mississippi man, sniffed scornfully at top-ranked Syracuse: "Ole Miss could take them-they're just a bunch of fat boys...
...Junk Pile makes dramatic use of a favorite Koerner device: psychological perspective. The Negro workman looms twice the size of the Plymouth in the foreground, simply because he is more important. In fact, Koern says, he represents a god of darkness and regeneration, just as the fat man sunning his face with the aid of a metal reflector is a disguised god of light and life. The Plymouth will eventually join the junk pile, and, remelted, may yet become a bridge. The setting is the North Side approach to Pittsburg's Manchester Bridge, leading to the Golden Triangle...
...saintly Moon Lady, separated from her pious young son by invading Tartars, is hustled offstage before she can become tiresome. Her place is taken by a crew of thieves, usurers, pimps and powder faces (prostitutes) who add up to a kind of road-company Decameron. The fat lecher Pi, for instance, lusts after the beautiful Silver Vase, a pubescent virgin being carefully tended by Lady Li, a flower-garden proprietor (brothelkeeper). Cash-and-Carry, a young wastrel, volunteers to act as go-between, but what he goes between are Silver Vase's sheets. Lady Li, who has been giving...