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Word: fatuousness (lookup in dictionary) (lookup stats)
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...example, the ever fatuous Cardinal O'Connor could not resist blaming the park assault on, well, society. We must all "assume our responsibility," he & intoned, "for being indifferent to the circumstances that breed crimes of this sort." What circumstances? "Communities which know nothing but frustration...

Author: /time Magazine | Title: Essay: Crime And Responsibility | 5/8/1989 | See Source »

Caveat Emptor! L'etat, c'est moi! Don't it make your brown eyes blue! Not mine, certainly, but I confess to feeling a surge of indignation, all the same, at this fatuous manifestation of a meddling, bloated, neo-Johnsonian "Great" Societish welfare state Gorgon that I had long hoped would never rear its ugly head in the sartorially innocent groves of Eli academe...

Author: By William Buckley, OUR LEADER | Title: Keep the Yale Daily News Staff Naked | 11/21/1987 | See Source »

Keaton's performance and a handful of funny lines are not enough, however, to save Baby Boom from its insubstantiality. If it weren't for the bitter aftertaste of the movie's fatuous treatment of an important question or its vitriolic stereotyping, Baby Boom would be completely forgettable...

Author: By Gary L. Susman, | Title: Baby Bummer | 10/9/1987 | See Source »

...property, Edmond Rostand's Cyrano de Bergerac. It dares to plump for the supremacy of two old-fashioned notions: romantic love as the meeting of true minds and the English language as a tool for wooing and wonder. The script challenges its star to be at once noble and fatuous, strong and swooning, utterly in control and desperately in love -- all of which Martin handles as gracefully as if he'd written it himself (which he did). And in case you forgot, the last film fellow to play Cyrano, Jose Ferrer in 1950, got a best-actor award. "I hope...

Author: /time Magazine | Title: Sensational Steve Martin | 8/24/1987 | See Source »

...political enlightenment, one of the things that killed it was the growth of the art market. Now that any list of collectors' favorites in current art would have to include Nancy Graves, Agnes Martin, Louise Bourgeois, Susan Rothenberg, Elizabeth Murray, Jennifer Bartlett, Cindy Sherman and Joan Snyder, it is fatuous to talk as though women in 1987 formed an oppressed aesthetic class. About half the substructure of power in the art world, from museum curators and dealers to critics and corporate art advisers, is female. No talented woman has real difficulty getting her work into a serious gallery...

Author: /time Magazine | Title: Art: How To Start a Museum | 8/10/1987 | See Source »

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