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...father, Clarke relates, was a charming con man named Arch Persons, a bad-check artist who worked, when he worked, as a promoter for a carnival performer called the Great Pasha, whose specialty was being buried alive. His mother was a small-town Alabama beauty named Lillie Mae Faulk, who eventually chucked the shiftless Arch, headed for New York City and changed her name to Nina because it sounded more sophisticated. Little Truman was parked for much of his childhood in a Southern-gothic household of eccentric cousins in Monroeville, Ala. But Clarke stresses that his most agonizing early memory...

Author: /time Magazine | Title: Books: The Troubles of the Tiny Terror CAPOTE: A BIOGRAPHY | 5/30/1988 | See Source »

...Superstar trial lawyers like Boston's F. Lee Bailey and San Francisco's Melvin Belli regularly command flat fees that work out to as much as $300 an hour. New York's Louis Nizer, whose clients have included Blacklist Victim John Henry Faulk and major corporations in the film industry, commands a phenomenal $350 an hour, thus earning the equivalent of the nation's median annual income in approximately 44 hours. Admits former Watergate Special Prosecutor James F. Neal, now practicing law in Nashville: "Frankly, I don't want to disclose my hourly rate...

Author: /time Magazine | Title: Law: Fat Fees | 7/27/1981 | See Source »

Each of the chief characters has a gallant last-ditch tenacity that is the mark of Williams' people. T. Lawrence Shannon (Richard Chamberlain) is a defrocked minister with a penchant for teen-age girls. The hotel proprietor, Maxine Faulk (Sylvia Miles), fancies young Mexican beachboys. The guardians of the spirit as opposed to the flesh are Hannah Jelkes (Dorothy McGuire), a Nantucket spinster, and her ancient 97-year-old poet grandfather Nonno (William Roerick), on whom Hannah's abiding love and care are centered...

Author: /time Magazine | Title: The Theater: God Is - or Is He Not? | 12/27/1976 | See Source »

...almost religiously obsessed with the duality of the flesh and the spirit, and partly because he has an abiding concern for the violated heart. Many of his women spend an amazing amount of stage time in negligee, a provocation and an invitation to the bed. The widow Maxine Faulk (the surname is scarcely subtle) comes onstage in The Night of the Iguana with her blouse enticingly unbuttoned. Yet Hannah Jelkes in the same play is a stalwart saint of duty who has clearly transcended sex and is presented as a human being of nobility. Maggie the Cat is a tigerish...

Author: /time Magazine | Title: The Theater: The Faces of Eve | 3/20/1972 | See Source »

Faulkner himself followed up the headlines with letters to many newspapers insisting that he had been misquoted by Howe. What the letters naturally did not mention was the fact that at the time of the interview Faulk ner had spent several days working his way through a demijohn of bourbon, a bout set off by a running quarrel about the racial question with his brother John Faulkner, who was a diehard segregationist...

Author: /time Magazine | Title: Books: The Curse & The Hope | 7/17/1964 | See Source »

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