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Steven M. Faulkner...

Author: /time Magazine | Title: Letters, Aug. 18, 1980 | 8/18/1980 | See Source »

Will's despair can be traced in part to a trick of memory. He realizes suddenly that the hunting accident he was involved in as a young boy was no such thing. His father, a thunderous Mississippian straight out of Faulkner, had vainly tried to kill both Will and himself. A later attempt at suicide succeeded, spurring Will to set out on a path as unlike his father's as possible: "God, just to get away from all that and live an ordinary mild mercantile money-making life, do mild sailing, mild poodle-walking, mild music-loving among...

Author: /time Magazine | Title: Books: Blues in the New South | 7/14/1980 | See Source »

...then revise, often at greater length. The Bay Area Writing Project has spread from Berkeley, Calif., to 74 communities around the country. Its aim is to teach writing teachers how to teach writing. All sorts of methods are used, including the rewriting for clarity of long sentences by William Faulkner...

Author: /time Magazine | Title: Education: The Righting of Writing | 5/19/1980 | See Source »

...MOST INSTANCES, though, King arrives at the not-so-surprising conclusion that few authors can untangle themselves from the bewildering signals of a misunderstood past. Psychoanalysis occasionally helps individual patients but offers small counsel to an emotionally troubled culture. King concludes, rightly, that even Faulkner's "transcendent" achievement in his much admired short story "The Bear" leads nowhere. Isaac, the fatherless heir, who analyzes his past by plodding through his grandfather's ledgers and talking it out--shrink/client style--with his uncle, recollects his past and so avoids repeating its mistakes. He renounces his slave and plantation holdings and becomes...

Author: By Susan C. Faludi, | Title: Rhett Butler on the Couch | 5/9/1980 | See Source »

...does in his chapter on "The Bear," or reviewing the main themes of Southern Renaissance authors or historians, his observations are mostly on target, some quite perceptive. But his perceptions often are not his own. His examination of The Sound and The Fury relies heavily, as he admits, on Faulkner critic John Irwin's thesis of repetition in Doubling and Incest/Repetition and Revenge. His discussions of the intellectuals themselves amounts to no more than a rehash of other authors' already well-articulated opinions...

Author: By Susan C. Faludi, | Title: Rhett Butler on the Couch | 5/9/1980 | See Source »

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