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...reason why the Throne Room, the red chamber where knights are dubbed beneath a plaster frieze of roly-poly figures enacting scenes from the Wars of the Roses, is so curiously ungrand. Not all of that is Blore's fault -- the squat thrones themselves, one with EIIR embroidered on it and the other with P for Philip, were done in 1953 and look Hollywood-Ruritanian, if not suburban. You can't help reflecting on the amount of lobbying from aspirant title seekers that has focused on this red room over the past century...

Author: /time Magazine | Title: Buckingham Palace: 18 Rms, No Royal Vu | 8/30/1993 | See Source »

While experts agree that the summer's rash of too-close-to-home crimes has deepened Americans' anxiety, they disagree on the triggers that have touched off the violence. Some believe the crime waves are cyclical (see box). Many fault Hollywood, which rushes sordid re-creations to TV and cinema screens before the corpses are even cold. "We have created a culture that increasingly accepts and glamourizes violence," says Dewey Cornell, a clinical psychologist at the University of Virginia. "I don't care what the network executives say. It does desensitize you." Others point accusingly at the media. "Every crackpot...

Author: /time Magazine | Title: Danger in the Safety Zone | 8/23/1993 | See Source »

...from neglect," says sociologist Stephen Klineberg of Houston's Rice University. "There is no one at home when they return from school, and this neglect in socialization results in increased violence." Others cite neglect's twin evil, child abuse, or that distant relative, school truancy. Liberals decry poverty; conservatives fault the decline of family values...

Author: /time Magazine | Title: Danger in the Safety Zone | 8/23/1993 | See Source »

...apologized for failing to inform Jimmy Fund officials of his decision. "I didn't communicate clearly to them," he said. "That's my fault...

Author: By Joe Mathews, | Title: Two '93 Grads Targeted In 'Champions' Probes | 8/3/1993 | See Source »

Almost everything about this movie feels like a first draft -- unfelt, unformed, unfinished. And it's not entirely Singleton's fault. As it so often does, Hollywood has mistaken bright promise for full-fledged talent, rushing in to indulge a young artist's self-indulgences, giving him everything he wants but withholding the one thing he needs most: firm but sympathetic challenges to his assumptions, an insistence on rethinking and rewriting until he knows what he wants to say and how to say it right...

Author: /time Magazine | Title: Love N The Hood | 7/26/1993 | See Source »

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