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Word: faune (lookup in dictionary) (lookup stats)
Dates: during 1950-1959
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Usage:

...late great Dancer Vaslav Nijinsky, the Afternoon of a Faun was a lazy, sensual episode in the life of a mythological goat-man; he danced it (to Debussy's famed music) in horns, tail and dappled tights. Manhattan's Choreographer Jerome Robbins, 34, had a different idea. Last week the New York City Ballet presented the Robbins-version faun as a Narcissus rather than a goat-man; the title role went to a shirtless young ballet dancer in practice tights...

Author: /time Magazine | Title: Music: Faun in a Mirror | 5/25/1953 | See Source »

...premiere audience saw first was Dancer Francisco Moncion resting on a practice-room floor. He began to stretch and ripple his muscles, then caught sight of himself in an imaginary mirror and went into a self-admiring performance. Ballerina Tanaquil LeClercq entered, joined in the mirror work. Eventually Faun Moncion turned and kissed Nymph LeClercq on the cheek. As if jolted by seeing each other as real people rather than mirror images, faun and nymph broke apart. She glided away, and he lay down for another rest as the curtain fell...

Author: /time Magazine | Title: Music: Faun in a Mirror | 5/25/1953 | See Source »

Choreographer Robbins, who knows his audiences (from his work for such hits as The King and I and The Cage), thought moderns would be bored by the tired old staging of Nijinsky's Faun, wanted to do something new that "recaptured its tensions." He got his idea during a lull in a ballet practice session, watching a youngster languorously stretching at the barre and enjoying the movements of his own body. The ballet's evolution was neither easy nor fast: three years after the original idea came to him, Robbins got down to work, took six weeks...

Author: /time Magazine | Title: Music: Faun in a Mirror | 5/25/1953 | See Source »

Ford Theater (Fri. 9 p.m., CBS-TV). Anna Lee in The Marble Faun...

Author: /time Magazine | Title: Radio & TV: Program Preview, Oct. 9, 1950 | 10/9/1950 | See Source »

...have come back too soon." She had impressive evidence to the contrary. When the golden curtain at the Met fell on the ballet's brilliant opening-night performance of Swan Lake this week, the packed house and the critics seemed unanimous. Sadler's Wells with its faun-eyed Prima Ballerina Margot Fonteyn, its crack corps de ballet and its handsome staging, was every bit as good as remembered...

Author: /time Magazine | Title: Music: Return Engagement | 9/18/1950 | See Source »

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