Word: fauvism
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When he was through with the hectic charms of Fauvism, Matisse moved to distill and stabilize his art by conjuring up a stripped-bare world of preclassical antiquity, a place that was one part arcadia, one part Land That Time Forgot. In enigmatic pictures like Bathers with a Turtle, from 1908, bluntly rendered figures were disposed among wide, flat bands of nearly abstract blue and green that signified - just barely - land...
...unstable roti vendor who also wounded Akhlaq's close friend and student Anwar Saeed, visiting at the time. Saeed's robust, homoerotic work shares his mentor's primordial vision. In swaths of deep blues and thick yellows reminiscent of Chughtai's watercolors, which themselves echo the primal Fauvism of Henri Rousseau, Saeed paints a semiclad man surreally clutching a large fish (The Principle of Delicacy). He also draws two men in romantic embrace, one with the fly of his jeans suggestively gaping, in A Book of Imaginary Companions...
...became clients of Ambroise Vollard, the foremost art dealer of the time, based in Paris, and one of the few contemporary champions of Cézanne. The painter, who would be recognized after his death as one of the fathers of modern painting, the direct inspiration for Cubism and Fauvism, spent his twilight years living in isolation in Aix-en-Provence, France, scorned by critics and ignored by the public. Outside attention, when it came in the form of a letter sent by Fabbri in 1899 praising "the aristocratic and austere" beauty of Cézanne's painting, was treated...
...justification for relativism says more about the way the world was already tending than about Einstein. His stature gave an underpinning to ideas that had nothing to do with his science or personal inclinations. The entire thrust of modern art, whether it took the form of Expressionism, Cubism, Fauvism or fantasy, was a conscious effort to rejigger the shapes of observable reality in the same spirit of liberation and experimentation that Einstein brought to science...
...this, as the show reveals, is not altogether true. He was a consistent artist but a very eclectic one as well, and one of the things that endears him to the Postmodernist temper is the way that traces of practically all the early 20th century movements, from Fauvism and Orphism to Cubism and even Surrealism, turn up in his work--not as a mishmash of quotes but as integrated elements. There's even a bow to Dada in a peculiar picture from 1930 in which the Mona Lisa shares billing with a can of sardines and a large bunch...