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Word: fauvism (lookup in dictionary) (lookup stats)
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...common attitude toward German expressionist artists like Emil Nolde, Ernst Kirchner, Franz Marc, Karl Schmidt-Rottluffor Max Pechstein used to be that their work was a talented but provincial response to French Fauvism...

Author: /time Magazine | Title: Art: Last Twitch of German Romanticism | 9/16/1974 | See Source »

...Fauvism lasted but two years-no longer than many present-day artistic vogues. Yet for Vlaminck, by virtue of his youth, temperament and training-or rather, lack of it-it was the right movement at the right time. He transmuted its gaudy splendors into rockhard canvases that can be looked at again and again without their seeming to fade or weaken. By the age of 30, he had attained heights he never regained in a long lifetime of painting. He also recorded, for later generations, the candor and gaiety of a placid era and countryside that were soon...

Author: /time Magazine | Title: Painting: Fleeting Fauve | 5/24/1968 | See Source »

...perquisites of three servants and a chauffeur-driven limousine, and likes to screen her old movies for guests in the Mao villa. But there she was on stage, drawing noisy applause as she inveighed against such capitalist poisons as "rock 'n' roll, jazz, striptease, impressionism, symbolism, abstractionism, Fauvism and modernism...

Author: /time Magazine | Title: Red China: Whose Minority? | 12/16/1966 | See Source »

...young artist persisted. He went to London to study the sunset Turners, which expanded his palette. He encountered Japanese prints, which banished shadows and freed him from tunnel-vision perspective. He tinkered with impressionism, dabbled in pointillism, and became the leading colorist of fauvism. Eventually, he discovered Matissism...

Author: /time Magazine | Title: Painting: Distiller of Sunshine | 2/25/1966 | See Source »

...that he painted oftenest (see following pages). Her presence borrowed color from the walls of her bath. While fauvism, cubism, even dadaism and surrealism bypassed Bonnard, he kept his eye on nature and his wife's place in it. To many, through the 1930s and 1940s, Bonnard was oldfashioned, a man preoccupied with outer nature rather than inner psychology. His art seemed wishy-washy, facile, banal in its apparent sentimentality...

Author: /time Magazine | Title: Painting: The Distant Witness | 11/13/1964 | See Source »

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