Word: favorities
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...secular as a pop concert. As Granma itself noted afterward, there was "no political manipulation of cultural expression ... just a vote for human understanding." And while that's to the Castros' credit, the truth is that the long-term effects of that sort of nondogmatic fiesta don't always favor systems like Cuba's. Says Daniel Erikson, a senior associate at the Inter-American Dialogue in Washington and author of The Cuba Wars: "These kinds of cultural exchanges bring alternative voices that diminish the government's monopoly on information and expression...
Furthermore, a larger number of representatives with smaller constituencies and narrower interests would increase the potential for pork-barrel spending and inefficiency. Members of the House, in order to curry favor with their constituencies, generally try to direct federal funding toward their own districts through earmarks in legislation. It follows that having more representatives would likely result in increased spending on numerous projects that are not of national significance. Whatever gains in equity are achieved by expansion would be overwhelmed by losses in effectiveness...
...rising giant like China. It would be better, says Bhaskar, for India and China to slowly forge a constructive pan-Asian consensus and do away with the "post-colonial baggage" that animates the current Sino-Indian border dispute. But as talk of a new Asian "Great Game" gains favor, history and geography may not be so easy to overcome...
...Like a Bird,” off 2000’s Grammy-winning “Whoa, Nelly!,” Furtado likely could have developed her career solely around her vocal talent and pop style. But in 2003, Furtado chose to abandon pop in favor of less radio-friendly folk music on the tepidly received “Folklore.” For her next album, she tried another route, that of the R&B singer. Collaborating with Timbaland for a series of hip-hop tracks, including the chart-topping “Promiscuous,” Furtado regained...
...whose previous works reveal, if nothing else, a man easily obsessed. A sentimentality colors the prose of Vollmann’s work at large in a way that would make calling “Imperial” purely non-fiction reductive. Even his decision to leave out quotations in favor of fluid movement from description to speech gives it the affect of raw consciousness, as if heard in a dream. “Crossing the river into California, giving down on the reservation’s wide green and yellow bottomlands, I received this greeting: WELCOME TO PARADISE CASINO...