Word: fawningly
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...Michael's house." He reflects that Jackson is like a hybrid of outer space's most famous tourist and of Chauncey Gardiner, the video-bedazzled innocent whom Peter Sellers portrayed in Being There. "I think Michael can be hurt very easily," Spielberg says. "He's sort of like a fawn in a burning forest." Jones watched Michael break down several times while recording She's Out of My Life for Off the Wall, and eventually just left the crying on the track. Jackson also teared up repeatedly while recording the children's album E.T. the Extra-Terrestrial. During a break...
Hermann Goring, whom most of them tacitly accepted as their "Führer," managed to salvage his vastly deceptive joviality (he graciously gave his autograph to a U.S. Navy technician) and one of his fancy uniforms, a fawn-colored, brass-buttoned affair, stripped of medals and cut down to fit his slenderized body...
...sometimes brutal. In "The Honored Dead, "we see Eddie's corpse and pieces of another young body in plastic bags. And the protagonists inflict plain as well as suffer it. In "Hollow," the young man Buddy shoots a doe and indressing it cuts into" a swimming lump" an unborn fawn. The boatman in "A Room Forever" knows that he is physically hurting the young girl, "a kid playing whose, "who offers herself to him, but takes her just the same. Brutality isn't used for cheap thrills, though, but rather to sharpen the reader's awareness that injury and cruelly...
...Caterpillar, Dana and 3M in a catchall category called "general industrial." Those companies were singled out not only because of their solid financial performance over the long haul (20 years or more) but also because of other qualities, especially the ability to innovate. The excellent companies, say the authors, "fawn" on their customers and learn from them. The best managers value action above all else, a spirit of "do it, fix it, try it." They insist on top quality in their products. They solicit their employees' ideas and "treat them like adults," allowing talented people "long tethers" for experimenting...
Seldom has a tyrant been so absolute or cruel that he could not find some major artist, a Rubens or a Titian, a Velasquez or a Bernini, to fawn on him for a suitable fee. It is the nature of carnivores to get power, at which point, having disposed of their enemies, they deploy the emollient powers of Great Art to make them look like herbivores. Stalinist socialist realism was merely the end of this process, carried out by hacks. After it, the more intelligent of the Beloved Leaders would want radio and TV, not painting, to be their cosmeticians...