Word: faye
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...Roberta" has the unusual distinction of having the feminine leads quite the most interesting. Fay Templeton, during her lone scene in the first act, holds majestic sway over all the proceedings. Odette Myrtil, in the part of the violently self-assertive star customer of Madame Roberta's couturier establishment, handles admirably her difficult task in replacing Lyda Robert. It is no easy trick to supplant the dynamic, hip-swinging Lyda in a typically Roberti role, but Odette Myrtil is really all that can be desired short of the genuine Miss Roberti herself. Tamara, in the role of Stephanie, the successor...
...decides to have Cellini (March) killed, for fighting with a Medici. The Duchess (Bennett) wants him to remain alive until he has finished some gold plates for her banquet to the Duchess of Milan. When the Duke calls on Cellini, the artist is making love to Angela, his model (Fay Wray). The Duke changes his mind, pardons Cellini, takes his model to his summer palace. Presently the Duchess visits Cellini's workshop. She commissions him to make a key, asks him to bring it to the summer palace. Cellini arrives with the key while the Duke is entertaining Angela. When...
...highest honor in the Law School, the Fay Diploma, went to Richard Holzman Demuth, of New York, N. Y. Fourteen men were graduated Magna cum Laude...
...Third Annual Now England Institute of International Relations, to be hold at Wellesley College this year from June 25 to July 5, Sidney B. Fay '96, professor of History, and Carl J. Friedrich, associate professor of Government, will be two of the speakers...
...Villa learns of the treachery and returns to Mexico at the head of his rejuvenated army of peons and bandits. Pascal is ousted, and the liberal reforms accomplished. Wallace Beery as the much romanticized Villa, gives another of his gruff and lovable portrayals. The love interest is supplied by Fay Wray, and Stuart Erwin as the American reporter is adequate. Henry B. Walthall, who has appeared much too rarely since "The Birth of a nation" makes the gentile, idealistic Madero a vivid character. The photography and musical accompaniment are excellent, but the film is unnecessarily long and would profit...