Word: fayed
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...many cases, the unkindest cuts of movie moguls have been restored decades later by heroic film scholars. Together again for the first time: King Kong, in which the great ape engages in vigorous foreplay with Fay Wray; Welles' Macbeth and Touch of Evil; Max Ophuls' magnificent melodrama Lola Monies; and Sergio Leone's great homage to John Ford, Once Upon a Time in the West...
...that any tinkering with the economy-such as a tax cut in the U.S. or further increases in West German interest rates-will only make the situation worse, and it advises policymakers to sit tight. Their main priority, the OECD advises, should be to reduce oil imports. Says John Fay, head of the OECD's economic department: "We have a long road of rather slow growth ahead...
...incident typified Harvard's intimidating, quick-checking defensive play. Haywood Miller was particularly effective in shutting down the Wildcats' lone offensive superstar, John Fay. Fay scored only once all afternoon, and that tally came midway through the second period with Miller sitting in the penalty box for slashing. Yesterday's scoring: By periods: 1 2 3 4 Harvard 2 5 1 3--11 UNH 2 3 1 0--6 Individual scoring: HARVARD G A pts. Norman Forbush 2 4 6 Faught 4 4 0 4 Ward 3 0 3 Egasti 2 0 2 Bill Forbush 0 2 2 Wiggiesworth...
...scale--and part of the film's charm lies in the breathless sense of discovery that infuses every shot, heightened with each passing reel. It's something Dino De Laurentiis' repulsive, self-conscious, exploitive remake never touches. And it's as good now, because today so much of it--Fay Wray's hysteria, the chases, Max Steiner's delightful but overdone score--seems tongue-in-cheek. And we got to suspend our disbelief. Really suspend it. Until we're yanked in. "'Twas Beauty killed the Beast," says Carl Denham (Robert Armstrong) at the end of the movie, and the purity...
...Chapter Two is simply too long--the first act runs nearly two hours. Herzer faithfully reproduces Herbert Ross's original staging, but regrettably, he could not reproduce the original cast. Marilyn Redfield's Jennie remains disappointingly one-dimensional, never conveying anything more than her character's chipper exterior. As Faye, Jane A. Johnston delivers her lines well, but not well enough to overcome a case of physical miscasting. Jennie's friend should be in the prime of beauty; Johnston's appearance makes Fay rather frowsy...