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...Start with a known quantity: It's a Wonderful Life (1951). Odds are you'll miss the ONE time Ted Turner lets it out of the box, so rise up and rent. Trivia note: Frank Faylen and Ward Bond play the cabby and the cop (or is it the cop and the cabby?). Their names? Ernie and Bert. Jim Henson was not sued...

Author: /time Magazine | Title: Merry Couch-mas To All | 12/23/1997 | See Source »

Between the scenes of a police psychiatrist, Frank Faylen, lecturing on the need for in bigger and better mental institutions to care for perverts, are some of the best moments of chair-edge suspense Hollywood has come up with since The Man on the Eiffel Tower. The story is told through the movements, looks, and bits of talk of Arthur Franz, the sniper, and not by tiresome, obvious explanations...

Author: By Lawrence D. Savadove, | Title: The Sniper | 5/14/1952 | See Source »

...number that required her to maul Keenan Wynn, she once toed him into a dead faint, forced him to take to protective padding. Among her later victims: Bob Hope, whose teeth caps she sent scattering over a soundstage floor during a bit of jujitsu; Cinemactor Frank Faylen, whom she knocked out with a right to the jaw when the director demanded realism; Eddie Bracken, who, in a saloon scene, caught a Hutton slap on the back that looped him over the bar and into a heap on the other side. "When they work with me," crows Betty, "they gotta...

Author: /time Magazine | Title: Cinema: This Side of Happiness | 4/24/1950 | See Source »

...passion of a clean-cut Ladd (Alan) for a Good Woman (Brenda Marshall). The complicating fact is that Brenda is married to Alan's old friend (Robert Preston). But Preston develops a taste for too much liquor, too many women and two evil companions (Donald Crisp and Frank Faylen...

Author: /time Magazine | Title: The New Pictures, Feb. 21, 1949 | 2/21/1949 | See Source »

Since Ladd is a company policeman in the days when roadbeds were rough and railroading rougher, Preston winds up on the villains' or losing side. There are some handsomely photographed train wrecks, but except for Frank Faylen's lynx-eyed portrait of a killer, Whispering Smith is a conventional western in every detail. Its only novelty: Actor Ladd, familiar as a sleekly tough urban type, carrying two guns and looking pretty uncomfortable as they flap around his chaps...

Author: /time Magazine | Title: The New Pictures, Feb. 21, 1949 | 2/21/1949 | See Source »

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