Word: fearless
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Dates: during 1990-1999
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...Carlito's Way" at 12:55, 4, 7 and 9:55. "Flesh and Bone" at 12:10, 2:45, 5:20, 7:55 and 10:30. "Look Who's Talking Now" at 1:50, 4:20, 6:45 and 9:25. "Fearless" at 11:50, 2:30, 5:10, 7:45 and 10:20. "Malice" at 3, 5:35, 8:15 and 10:40. "Cool Runnings" at 1:30, 3:45, 6:30 and 8:50. "Fatal Instinct" at 12:25 p.m. "A Bronx Tale" at 12:40, 3:15, 5:50 and 8:30. "Rudy...
...Thursday, Nov. 11. "Flesh and Bone" at 11:25, 2, 4:35, 7:10 and 9:50. "Robocop 3" at 12:30, 3, 5:30, 7:45 and 10. "Look Who's Talking Now" at 12:15, 2:45, 5:15, 7:25 and 9:35. "Fearless" at 11:50 2:25, 5, 7:35 and 10:10. "Fatal Instinct" at 1:15, 3:45, 5:55, 8:20 and 10:30. "Rudy" at 1:30, 4, 6:45 and 9:05. "A Bronx Tale" at 1, 3:30, 6:10 and 8:50. "Malice...
...thankfully spare us from any romantic complications. Certain cliches must endure, however, and by the end of the movie Carla realizes that even Max needs help. The tables turn and she sends him back to his wife and family, whereupon Max almost dies and realizes that he's not fearless anymore...
Despite a decidedly cheesy plot-line, the production is no less than stunning. An ever-shifting pace, special effects, and raw intensity keep the film humming. "Fearless" highlights Max's fundamental isolation through silent, close-up slow-motion shots of him ponderously feeling his naked body and relishing strawberries, and loud, fast-paced cuts to the crash. The style and mood of each scene contrasts with the next, and the overall effect of this roller-coaster ride is admittedly intense. By the long, drawn-out ending, however, the audience is exhausted and out of sympathy for Max's long overdue...
Weir's earlier change-your-life movies includethe more successful "Green Card" and "Dead PoetsSociety." In "Fearless," though, the barage ofcinematic gimickry and Hollywood manufacturedemotion can't quite hide an insubstantial plot."Fearless" manages to tug at the heartstrings--for a while