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...Fearless & Merciless. Bobby has had far better luck in his crash program to register new voters. "The Democrats are there," he says, "and if we are going to win this election, we just have to reach them." As director of the program, Jack Kennedy selected his friend, Representative Frank ("Fearless") Thompson Jr., a handsome, hard-driving New Jersey Congressman who matches Bobby's own energy and relentless single-mindedness. Working around the clock and country, Frank Thompson has spent $100,000 on the program, recruiting 200,000 door-to-door canvassers to goad laggard voters into the registration centers...

Author: /time Magazine | Title: DEMOCRATS: Little Brother Is Watching | 10/10/1960 | See Source »

This is a brilliant theme, and it leaves you with the same empty and puzzled feeling that Boulle's The Bridge on the River Kwai produced. But there are many things wrong with this play. The deputy seemingly turns from a fearless cynic to a jellyfish with startling rapidity, but his about-face is nothing compared to the prosecutor's. At the end of Act II, Poole is battling with a troubled conscience and trying to lead investigators away from evidence that tends to indict young Harold Rutland (played by George Grizzard). Soon after the beginning of Act III, however...

Author: By Michael S. Lottman, | Title: Face of a Hero | 10/6/1960 | See Source »

...Young Men (Hall Bartlett; Columbia) expertly blends two traditions rich in cinematic cliche-the war movie and the fearless-denunciation-of-race-bigotry movie. Sidney Poitier, an accomplished actor so discriminated against because of his color that he will probably never be allowed to play a character who is not strong, sensitive and noble, is a Marine sergeant whose unit is chopped to pieces during a Korean war skirmish. The only officer dies, and Poitier takes over, despite a near mutiny by Paul Richards, a race-baiter who calls him "night-fighter." and Alan Ladd, a surly type...

Author: /time Magazine | Title: Cinema: The New Pictures, Aug. 29, 1960 | 8/29/1960 | See Source »

According to the nameless artists whose duty it was to record his glory, Assurbanipal was as fierce as he was fearless. His chief business was war, and no victory seemed quite complete unless his enemies could be slowly tortured to death before his eyes. The days of victory did not last forever. The king's scribes duly recorded Assurbanipal's thundering lament: "I did well unto god and man, to dead and living. Why have sickness, ill-health, misery and misfortune befallen...

Author: /time Magazine | Title: Art: IMMORTAL BEASTS | 5/9/1960 | See Source »

...classic campaign biography should sound like a chorus of When the Saints Go Marching In. It should present its hero as both liberal and conservative, fearless and cautious, witty and generous, as a model of propriety and sagacity, and a lover (figuratively and respectfully speaking) of American womanhood. In this presidential year, as usual, nearly all of the major candidates are on view.* Some of the portraits present the usual saintly features, while others are outright smears. A few are honest attempts to measure the candidates in more than one dimension...

Author: /time Magazine | Title: Books: Biography on the Bias | 4/25/1960 | See Source »

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