Word: fears
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Dates: during 1920-1929
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...Whether fear of being crushed before the ever-increasing tide of spring automobilists or a desire to stand above the rest of Cambridge society moved the polizei to this action will never be discovered; the fact remains that the Blue at present stands above the Crimson...
Dissenting Opinion. Associate Justices Holmes, Brandeis, Sanford and Stone dissented. With brief eloquence Mr. Holmes, 86,* wrote: "We fear to grant power and are unwilling to recognize it when it exists. . . . The truth seems to me to be that, subject to compensation when compensation is due, the legislature may forbid or restrict any business when it has a sufficient force of public opinion behind it. Lotteries were thought useful adjuncts of the State a century or so ago; now they are believed to be immoral and they have been stopped. Wine has been thought good for man from the time...
...greatest efforts in harrying a fine-mettled creature to refuge in the wilderness, singles out the biggest boar in sight and hounds him into a gratifyingly slimy slough. The tale has an obscure hero, another Lewisian lie-hunter who, to purge the last bitter dregs of pity and fear, gets his gentle eyes and mouth whipped to a black pulp by the K. K. K. before he is released. But the boar is the chief sacrifice and its name has the inimitable Lewis smack, Elmer Gantry...
...monster. Peggy Wood, a maid passing fair, plays the daughter sold to a miser. But she has her consolation-a ruddy ragged redcoat, Captain Bragdon (Gavin Gordon). Who shall cast the first stone when he, disguised as a corpse and wheeled into the boudoir by the order of the fear-stricken husband himself, comes to life and love? Certainly not hearty, round-bellied, wenching Sir Jeremy (Sydney Greenstreet) who engineered the titillating situation and kept the audience chuckling while he explained the young wife's earnest efforts, in the next room, to quicken the corpse. His double-meanings...
...Nestoroff is a woman who can keep herself, almost, beyond pity or fear. Giorgio's suicide was truly satisfying to her. Now she is quite happy with Carlo Ferro, the hirsute Sicilian actor. His domination keeps her strong against remorse for Giorgio. She is sufficiently in love to be anxious for Carlo's safety in a scene where he is to kill a charging tiger, a very real beast the company has obtained because it was too dangerous for the park at Rome. She insists on precautions...