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...backbone is a distinct and catchy guitar lick. Sometimes these guitar melodies are comparable to the coarse, raspy, and low-pitched riffs played by the Black Keys; “Pilgrim,” “Phoenix,” and “White Feather??—the album’s slower, sparser moments—are prime examples of this. “Pilgrim” starts with an upbeat, swing-feel guitar riff that is soon joined by percussion. “She’s got hands that go inside...

Author: By Alex C. Nunnelly, CONTRIBUTING WRITER | Title: Wolfmother | 10/30/2009 | See Source »

...underestimation of my commitment to my alma mater. I can only hope that the University’s top officials—who, after all, are (technically) selected by the alumni—will join in the tossing motion and throw the legacy “feather?? to the wind...

Author: By Daniel J. Hemel | Title: Leave Behind (a) Legacy | 6/6/2007 | See Source »

...influence is apparent in the clear tones and precision of these works, but one can also perceive the artists’ own variations from Ruskin’s style.The centerpiece, and perhaps the best work, of the show is Moore’s “Peacock Feather?? (c. 1879-82), which hangs side-by-side with Ruskin’s “Study of a Magnified Pheasant’s Feather?? (August 27, 1879). Moore was perhaps the most ardent of Ruskin’s followers, and his works display levels of patience...

Author: By Victoria D. Sung, CONTRIBUTING WRITER | Title: Fogg Dips Into Ruskinian Watercolor Era | 4/13/2007 | See Source »

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