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...scale bestseller). Already, at least 14 American artists have recorded an Americanized version of the song with a new title, Volare (To Fly), and new lyrics that bear as little resemblance to the original as they do to poetry. Sample: "Just like birds of a feather, a rainbow together we'll find." When they call their favorite disk jockey, U.S. fans hardly know what to ask for. But whether the title comes out "Domingo," "Nelly Blue" or "Blue Nell Rides a Blue Pinto," even a monolingual jock knows enough to spin...

Author: /time Magazine | Title: Show Business: Blue Nell Rides Again | 8/25/1958 | See Source »

With Lynn Fontaine in the title role, the play ran on Broadway for months, and "Dulcy" became a household word. But tastes and standards change, and the play today is little more than a feather-weight farce and a historical curiosity...

Author: By Caldwell Titcomb, | Title: Dulcy | 8/14/1958 | See Source »

...Lion Roars (Willie "The Lion" Smith; Dot). In an interview with Critic Leonard Feather, Harlem's most-storied stride pianist rambles through some richly colored reminiscences about the good, bold days of jazz. (Willie's earliest jazz school: the brickyards of Haverstraw, N.Y.). The Lion roars too much and plays too little, but a couple of his own compositions-Echo of Spring, with its lacy embroidery over a rolling bass, and Zig-Zag, with its propulsive drive-are worth the price of the album...

Author: /time Magazine | Title: Music: Jazz Records | 8/4/1958 | See Source »

...varsity was three-quarters of a length behind the Elis and had over a length lead on Pennsylvania and Syracuse when Lawrence caught a reverse feather crab which knocked him out of the shell. Jim McClennen, rowing seven, led the crew for the closing stretch...

Author: By Michael Churchill, | Title: Heavyweight Varsity Places Third As Yale Wins Sprints at Princeton | 5/19/1958 | See Source »

...wars and returning in disguise as two gentlemen from Albania lately landed from a balloon, lay siege to each other's sweethearts, and, to their own discomfiture, succeed-has seldom been more merrily staged. Under the direction of Peter Herman Adler, Mozart's music was kept feather-light and crystal-clean. Soprano Phyllis Curtin and Mezzo Frances Bible were as pretty a brace of slim beauties as ever taunted a gallant; Tenor John Alexander and Baritone Mac Morgan sang warmly as the two gentlemen, who conclude: "Women cannot be faithful . . . You have to take them as they...

Author: /time Magazine | Title: Television: Review | 4/21/1958 | See Source »

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