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...typical still life of earlier centuries-the 17th century Dutch table, say, cascading with "parrot tulips and gold beakers, fur, fruit, fish, feather and dew-drops-was a symbol of appropriation. It declared the owner's 5 power to seize and keep the real stuff of the world. Even the still lifes of that great master of meditative vision, Chardin, tend to retain this emblematic quality; it was written into his social background. In Morandi, things are otherwise...

Author: /time Magazine | Title: Art: Master of Unfussed Clarity | 12/21/1981 | See Source »

...decided moral convictions. But the Securities and Exchange Commission, after a 3½-year investigation of Buckley-controlled oil and gas companies, last week portrayed the family's own business practices as unethical and even unlawful. In effect, it accused the companies of having defrauded stockholders to feather the family's nest...

Author: /time Magazine | Title: Free Enterprise, Buckley Style | 11/16/1981 | See Source »

...terriers. Almost always, however, they were moralized. The "pathetic fallacy," the somewhat tiresome habit of affixing human feelings and traits to animals or plants, reached its height in Victorian England. It was Landseer's use of it, along with his extraordinarily realistic observation of fur, fin and feather, that made him a demigod of popular culture...

Author: /time Magazine | Title: Art: Resurrection of a Sentimentalist | 11/16/1981 | See Source »

...agree that Harvard's plans represent the best of an undesirable lot. "It that's the way the cookie was going to crumble, this plan probably will cause the least problems," Olive Holmes, president of the Harvard Square Defense Fund, said. "This project will serve as a buffer and feather out disturbances from Parcel 1b," which will be built at about the same time as University Place, Holmes added...

Author: By Andrew C. Karp, | Title: Harvard Stops Huffing and Puffing | 9/14/1981 | See Source »

Soldiers dropping one by one to the ground, doubled over in the agony of death. Men lifting a feather-light ballerina and unexpectedly groaning under the strain. A trio dancing to a mournful Sardinian folk song in the eerie darkness of an eclipsed moon. These are some of the images-tragic, comic, passionate-from the rich choreographic imagination of Jiri Kylian, a poet of many moods who works with movement instead of words...

Author: /time Magazine | Title: Dance: And Now, the Netherlanders | 7/20/1981 | See Source »

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