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HOLDING OUR ATTENTION all night--to say nothing of our interest--represents a nearly impossible feat, yet director Marcel Ophuls has handled his problems masterfully. The Sorrow is very, very long and emotionally draining, but it is not too long. Its straight-forward style allows the simple yet compelling themes of the people to come through. Recognizing the special difficulties of filming interviews. Ophuls keeps his camera moving, frequently setting the interview in motion: several take place in moving cars, others out in the French countryside. The setting reflects the speaker. The Graves brothers walk about their farm: Verdier...

Author: By Alan Heppel, | Title: Personal Histories, Collective Shame | 10/20/1972 | See Source »

...like human beings. Not only does the "Woman Cleaning the Rug" by Duane Hanson have real spectacles on her nose, a real Dynel wig on her head, and a real bandaid on her shin, but her vacuum cleaner is plugged into a socket in the wall. The very technological feat of creating the illusion of a woman's flesh out of synthetic polyester and fiberglass becomes the most significant thing about the sculpture. The subject matter is almost secondary. One becomes obsessed in De Andrea's "Boys Playing Soccer" with how the sculptor was able to balance the figure...

Author: By Lydia Robinson, | Title: The Re-Emergence Of Realism | 10/18/1972 | See Source »

...shift in favor of the offense. Last season the total number of points scored on a weekend averaged out to 503; the figure thus far is 542. At this time last year, running backs had gained more than 100 yds. in one game only nine times; the same feat has already been accomplished 17 times this season...

Author: /time Magazine | Title: Joe Namath and the Jet-Propelled Offense | 10/16/1972 | See Source »

...that she can act -not as well as she can sing, but well enough. As Carmen, her face is a catty catalogue of all the baser emotions. Her hands are a dithyrambic dialogue, as when she plays the castanets with her arms around Jose's neck (a genuine feat, considering the size of Tenor James McCracken). Horne may not so much dance as insinuate dance, and may need a gallant helping hand in order to hop on a chair at the end of her Gypsy Song, but she nonetheless succeeds in making Carmen a woman of real flesh...

Author: /time Magazine | Title: Music: The Met's New Carmen: Gentele's Legacy | 10/2/1972 | See Source »

...Mark Spitz, any interest he takes in the proceedings will be nothing more than vestigial chauvinism. His battle is ended, his booty won; Spitz will swim no more. What, after all, is left for him to conquer? His feat will likely never be repeated; a move is already under way way?pressed by the Europeans and resisted by the Americans and Australians?to cut down on the number of swimming events (and thus medals) on the theory that the skills required are repetitive. Said Spitz before the games: "I want to win at Munich and then quit. I never swam...

Author: /time Magazine | Title: Spitz | 9/11/1972 | See Source »

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