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Word: featureless (lookup in dictionary) (lookup stats)
Dates: during 1940-1949
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Usage:

...friendly arguments. Over at Uncle Joe's is haphazard reporting on the breezy, often pointless level of a women's-club lecture. But it does convey something of what daily living is like for both foreigners and Muscovites, and Moscow itself becomes a city instead of a featureless backdrop for the Kremlin...

Author: /time Magazine | Title: Books: She Was There | 6/9/1947 | See Source »

...first glance the colors looked muddy or sometimes acidly off-register. Tamayo's figures lifted swollen hands and feet, like anthropomorphic cactus plants, and stared from flat, featureless heads. Behind them the fuzzy skies were scratched with schoolboy diagrams of the constellations. But for fans of Rufino Tamayo the distorted figures seemed perfectly adjusted to their painted world, and the star-spangled night skies (a new element in Tamayo's work) seemed to suggest the era of science...

Author: /time Magazine | Title: Art: Like a Mother | 2/17/1947 | See Source »

...Navy had not flown far inland. The blank space beyond the South Pole was still the haziest, most mysterious area on anyone's map. It might be a featureless ice plain or it might be ridged with peaks higher than Mt. XRay...

Author: /time Magazine | Title: Science: Frozen Puzzle | 2/17/1947 | See Source »

...Coast Guard and Marine Corps cameramen of the fiercest fight in Marine Corps history, is worthy, or almost worthy, to rank with such great war records as With the Marines at Tarawa (TIME, March 20, 1944). Shot chiefly on a terrain as shapeless as an ash-heap, as mortally featureless and cryptic as the flank of Captain Ahab's White Whale in their ultimate engagement, it lacks the relative coherence and clarity of most of its predecessors. It demonstrates, in fact, more clearly than any previous film, that war in its crucial essence is neither dramatic nor even particularly...

Author: /time Magazine | Title: The New Pictures, Mar. 26, 1945 | 3/26/1945 | See Source »

...photographed in two extreme yet simple forms of lighting: chiaroscuro, in which the line of a cheek, the wrinkle of a sleeve, the keys of a fingered saxophone, appear as if drawn in white ink on black paper; and its opposite, in which the musicians appear in almost featureless silhouette against a staring, blank white background...

Author: /time Magazine | Title: The New Pictures, Dec. 25, 1944 | 12/25/1944 | See Source »

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