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...story has its pathos; but as the picture tells it, the tale is all too often merely pathetic. The fault lies chiefly with Director Federico Fellini. the brilliant creator of I Vitelloni, who has revived the bathetic excesses of La Strada without its noble brutalities. As for Fellini's wife, Actress Masina, she gives, almost gesture for Chaplinish gesture, the performance that made her famous as the idiot girl in La Strada. It's a case of the right part in the wrong picture...

Author: /time Magazine | Title: Cinema: In the Meantime | 11/18/1957 | See Source »

...Candlelight. Last week Christian Democrat Federico Biggi, a lawyer and Latin professor in his spare time, called his followers together over a secret dinner of lasagna. roast chicken and Chianti in a small restaurant in the Italian seaside town of Rimini. Dinner over, Biggi and his lieutenants slipped furtively back into San Marino, called their followers together and passed out a formidable armory of ancient muskets, hunting rifles and outmoded carbines. Then they holed up in an abandoned iron foundry only 50 yards from the Italian border, and on a rickety table lighted by a candle stuck in a bottle...

Author: /time Magazine | Title: SAN MARINO: World's Smallest Crisis | 10/14/1957 | See Source »

...Test. In Rome, after suspicious policemen took Blind Man Federico Pugliese, 29, to the station, passed a luscious pastry before his eyes, with no flicker of recognition, a wad of 10,000-lira bills, with no result, a pack of pinups which made him take notice, he yelled: "You cheat...

Author: /time Magazine | Title: Miscellany, Jul. 15, 1957 | 7/15/1957 | See Source »

Vitelloni. One of the best of the Italian-made movies-a biting but not bitter satire of small-town life, by Federico Fellini, who directed La Strada (TIME...

Author: /time Magazine | Title: Cinema: CURRENT & CHOICE, Apr. 8, 1957 | 4/8/1957 | See Source »

...minute Sinfonia Cantata was premiered on the same program. A musical evocation of America, the work draws its text from poems in four different languages, all in different ways evoking the New World. Italy's Dino Campana sees classical images that compare the noble Indian savage to Venus, Federico Garcia Lorca's Brooklyn Bridge Nocturne throbs with Spanish symbolism, while France's Jules Laforgue dreams in Gallic-materialist specifics ("Des venaisons, et du whisky. . . et la loi de Lynch") and Walt Whitman shambles forth in his pagan-hobo way, singing The Song of the Open Road. Trying...

Author: /time Magazine | Title: Music: Who Said Garbage? | 4/1/1957 | See Source »

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