Word: feed
(lookup in dictionary)
(lookup stats)
Dates: during 1960-1969
Sort By: most recent first
(reverse)
...been developed by Rohm & Haas, manufacturers of plastics and chemicals, at their Bristol, Pa., plant and at factories in Philadelphia, Knoxville, Tenn., and Houston. The reinforced-concrete shelters protect against blast as well as fallout. The Bristol shelter lies under 40 inches of radiation-resistant material, can house and feed 1.500 employees for two weeks. Water is drawn from underground wells, and a pulsating communications center is equipped to send and receive short-wave messages. The shelter can withstand blast and fallout from a 20-megaton bomb five miles away...
...hell with your colored diplomats!" shouted beefy, red-faced Proprietor Clarence Rosier. "I built this place with my sweat. Now you come up here with your clean shirt and pressed pants and tell me how to run my business. Go back to Washington and tell Kennedy he can feed 'em. I wouldn't have a customer left if I let them people in here." Rosier's wife cried her agreement: "They're dirty and they stink. Would you want to sleep in a bed they'd slept...
...easy. The Rayburns were a poor farm family, and Father W. M. Rayburn-a Civil War cavalryman who had ridden to Appomattox with Robert E. Lee-was barely able to feed his eleven children. "Character is all I have to give you," he told his sons. "Be a man." Sam went off to East Texas College, paid his own way by sweeping floors and ringing the school bell. Before he left home, his father pressed $25-the family savings-into his hand...
...somebody else's territory (see color). A grownup must be accompanied by a child to get past the moppet-height turnstile (admission: 10?). The coin-operated dispensers for animal food are knee-high, and the waste receptacles are painted to look like enormous green and yellow frogs (FEED ME PAPER) and big brown bulldogs (I EAT ANYTHING...
...over Mexico, Death is grinning and eating children. Through the village streets the peons carry La Muerte in sugar sculpture, larger than life. Through the land La Muerte strides, the hollow specter of starvation. It pauses at the hut of Macario the woodcutter (Ignacio Lopez Tarso). Six mouths to feed, and only a fistful of frijoles left. Bitterly, Macario cries aloud: "All my life I have been hungry-never once have I had enough to eat! Now I swear I will not eat again until I can have a turkey all to myself. I would rather die than be always...