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Word: feel (lookup in dictionary) (lookup stats)
Dates: during 1920-1929
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Usage:

...like Bebe Daniels, you had better see her in "Feel My Pulse", showing this week at the Metropolitan. If you have any dislike for the lady, don't waste your time...

Author: By G. P., | Title: CRIMSON PLAYGOER | 3/27/1928 | See Source »

...administrative forces. I have not the least doubt that Terry would remember my name and class as well. It was his boast that he forgot the face of no one who ever matriculated at the university. The trouble is that Terry remembers far too much. He knows, I feel certain, my mark in French was A. and when I went on probation and why. In fact, I would not put it above his marvelous memory to retain the unimportant information that in social ethics I received an F. Much that I did in Harvard I have tried to live down...

Author: NO WRITER ATTRIBUTED | Title: THE PRESS | 3/24/1928 | See Source »

...Behold the Bridegroom" can't quite be laughed off, much as one may feel the urge. From pure politeness appropriate in a non-paying guest, this reviewer suppressed a nearly uncontrollable desire to hoot, jeer and shout "ham" during one of the worst first acts in memory. Then for no apparent reason Mr. George Kelly began to make sense through the mouths of a competent, but sorely taxed cast. The final impression was more than ordinarily disturbing. Here was a play, like it or not, and in its worst moments it brought to mind the old sentiment, "I wouldn...

Author: By H. B., | Title: THE CRIMSON PLAYGOER | 3/21/1928 | See Source »

...rostrum in the U. S. Senate, with foolish, solemn wheezings. Only Edward Rigby, as the old butler who lies down at the last to die, locked in the shuttered house his masters have deserted, gives a really satisfactory performance in a production which many discriminating playgoers might rightly feel themselves compelled to attend...

Author: /time Magazine | Title: Theatre: New Plays in Manhattan: Mar. 19, 1928 | 3/19/1928 | See Source »

...extreme experimenters and revolutionists, but still maintaining its characteristic lightness and deftness of touch. Thus the influence of the great innovators is obvious in much of the painting, now Renoir, now Cezanne, now Matisse or Rousseau or some other modernist; but beneath it all one seems to feel a rather definite and uniform assumption and attitude toward painting that most of the artists have adopted consciously or unconsciously. It seems to be recognized that at the present day the independent picture does not lend itself, as it once did, to the expression of our more serious and fundamental ideas...

Author: NO WRITER ATTRIBUTED | Title: PROFESSOR POPE WRITES ON MODERN FRENCH ART IN BOSTON EXHIBITION | 3/19/1928 | See Source »

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