Word: feel
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Dates: during 1990-1999
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CHRISTOPHER JOHN FARLEY and DAVID THIGPEN are indispensable in keeping colleagues and readers plugged into musical trends and personalities. This week they turn their attention to hip-hop. Farley says hip-hop is what you turn on "to feel the beat of the time." As a measure of the genre's success, he points out that singer Lauryn Hill, whom he profiles in this issue, received more Grammy nominations this year than any other female artist. While Hill is lauded for her musical talent, producer Sean ("Puffy") Combs is known for his business savvy. "He's one of the most...
...doom to its border; then Uruguay's hormonal teenagers keep PAMELA ANDERSON from crossing it. The remarkably cantilevered V.I.P. star was set to visit Argentina after filming a commercial in Uruguay but cut her tour short after being swarmed by hundreds of randy Uruguayan boys eager to cop a feel. Following a press conference, the teens shouted vulgarities at poor Pam, then attempted to grope her. Unnerved, Anderson fled back to the relative safety of the States, where teenage boys are happy just to download her naked image from the Internet...
...instrumental, part of the records he was spinning. He had two turntables going and two copies of each record, so he could play the break over and over, on one turntable and then the next. Americans didn't get reggae, he thought, so he tried to capture that feel with U.S. funk songs--James Brown and Mandrill. He had dancers who did their thing in the break--break dancers, or, as he called them, b-boys. As they danced, Herc rapped, "Rocking and jamming/ That's all we play/ When push comes to shove/ The Herculoids won't budge...
...mixing and dancing. Holed up in his Bronx bedroom, he figured out a way to listen to one turntable on headphones while the other turntable was revving up the crowd. That way a deejay could keep two records spinning seamlessly, over and over again. Herc was doing it by feel. Saddler wanted the show to be perfect...
...triumphed commercially, in part, because rap's aesthetic of sampling connects it closely to what is musically palatable. Some of the songs hard-core rappers sample are surprisingly mainstream. DMX raps about such subjects as having sex with bloody corpses. But one of his songs, I Can Feel It, is based on Phil Collins' easy-listening staple In the Air Tonight. Jay-Z's hit song Hard-Knock Life draws from the musical Annie. Tupac's Changes uses Bruce Hornsby. Silkk the Shocker samples the not-so-shocking Lionel Richie...