Word: feel
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Dates: during 1990-1999
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...obligations are and what government "of the people, by the people and for the people" means. Yet finding a compelling argument to move us from "should vote" to actually voting is tough. Guilt, by itself, is a weak motivator because it fails us if there are other things we feel more guilty about not doing. For example, one could rationalize: "They might have died on the beaches at Normandy for my right to vote, but I'm going to fail if I don't write this paper...
...encourage women who feel strongly enough about the issue to start a movement to boycott final clubs. The women who attend them, however, have a similar right to do as they please without bearing any labels given to them by Harvard administrators...
...recent years at least, unpopular views have rarely been expressed by Harvard students. It is worth considering whether this silence is because very few happen to hold these views or because those who do have been made to feel that they are not free to express those views. In The Shadow University, their new book about civil liberties on America's university campuses, Alan Charles Kors and Harvey Silverglate examine the effects of campus speech codes--which some universities have adopted in the name of protecting designated groups. They conclude that these policies have had a stifling effect on free...
Rather than the famous "Now is the winter of our discontent...," Sussner's production begins with a creepy gothic soundtrack and a series of strobe-lighted pantomimes predicting (in reverse order) the murders that lead to Richard's kingly demise. Though the twisted, dehumanizing feel of the play is well captured by this unsettling preview, its final effect is desensitizing. Rather than beginning (as Shakespeare does) with a group of characters whose humanity is undermined as the play progresses, the humanity of Sussner's cast is defaced from the very start. Though David Egan '00 (Richard) and the other cast...
...wildly original lyrics, or thelittle "uh" sigh that punctuated each line ofmusic, or the fact that she never quite gave us anexample of true irony. Maybe it was all of thesethings and more--but one thing was clear. Thefollow-up to Alanis' debut would be the mosthyped, expected (read: feel the pressure) album inrecent memory...