Word: feeling
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Dates: during 2010-2019
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Lauper headlines a cast of female vocalists that present a compelling and sexy image of Marcos’ character. Florence Welch, lead vocalist of British indie act Florence and the Machine, establishes this feel in the title track opener, crooning, “When I am called by God above / Don’t have my name inscribed into the stone / Just say, ‘Here Lies Love...
...Danton grows disillusioned with his decadent lifestyle, halfheartedly declaring, “We didn’t make the Revolution—the Revolution made us.” Originally a haphazardly charismatic character, Danton grows embittered when his initial quests for pleasure through women and wine start to feel like the listless idles of a cynic. Even in his final hours, Danton proves remotely unmoved by his impending demise; he reflectively admits one dark night, “I am merely flirting with death—it’s all empty noise, bravado.” Clark portrays...
...work sing and dance and carry the plot; the people matter. Indeed, real people are the foundation for “Working.” Schwartz and Faso based the musical on “Working: People Talk About What They Do All Day and How They Feel About What They Do,” a book of interviews published in 1974 by Louis “Studs” Terkel. The compilation aimed to highlight how real-life workers found meaning in the everyday...
...Housewife” on the piano. A group of six female Harvard students began to sing the uncharacteristically pessimistic song: “All I am is / Just a housewife / Just a housewife, nothing great / What I do is ‘out of fashion’/ What I feel is out of date.” The six actresses started twirling around the broomsticks they were holding, spinning as they sang the somber song. “I’m afraid it is unimpressive / All I am is someone’s mother...
...Unfortunately, “Wu Massacre” as a whole lacks a sense of integration. It appears that almost no attention was paid to the track sequencing, and the songs proceed in a decidedly clunky manner. This is illustrative perhaps of a lack of attention to the overall feel of the album, which ends up seeming like a collection of great songs pushed thoughtlessly together. There is also perhaps a certain hastiness in the way in which “Wu Massacre” has been pushed out for public consumption. The last two songs clearly serve as appalling...