Word: feels
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Dates: during 1960-1969
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Consider the House assignment debate; the Masters talked for four years about the problem and couldn't come up with a solution. Finally, they turned it over to Dean Ford and asked him to make a decision. This shows the structural limitation inherent in the COH. The Masters feel fierce competition among thesemlves as representatives of the different Houses. They evaluate each proposed social reform in terms of how it will affect their own House's "prestige" or "position" vis-a-vis the other Houses. Since each proposal which comes before the Committee is bound to "lower" some Houses...
...question, however, is how do the Masters live in the Houses? To find the answer, ask another question. With what type of student does the Master most often come into contact? And another. What type of student enjoys having tea with the Master and his wife? How many students feel natural and enjoy themselves when the Master sits at their dining table? A growing number of students do not enjoy such activities and, thus, a growing number of students are completely out of touch with the persons who make the decisions which affect their social lives...
...what he considered to be the real reason for their opposition. "We haven't given any good reasons for not letting students on," Stewart said. "In fact, there is no philosophical reason why they shouldn't sit on the Committee. The problem is simply one of ages. We would feel stupid if they were to attend our meetings on a regular basis...
...captain-elect felt that the first several games this year gave him a great deal of needed confidence and helped him feel looser and play better each week thereafter. His improvement caused coach Tom Stephenson to remark. "John was an unknown quantity at the beginning of the year, but now he's one of the top defensive ends in the league...
...developed films his complicated intellect adds dimension to the straightforward impact of the images. In The Black Cat and The Naked Dawn, initially simple confrontations are made ambiguous by Ulmer's elusive concept of morality. The camera often works against the script in directing audience sympathies, and should we feel secure in our assessment of character relationships, Ulmer will invariably undermine the status quo and shift the dramatic balances. Consequently, Ulmer presents dozens of ideas in terms of changing moral alternatives, choices presented both to characters and audience. This becomes disturbing since the melodramas ostensibly deal with good and evil...