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Chatterton: Put it this way: you break a ship up, spread on the bottom in 12,500 feet of water. There...

Author: /time Magazine | Title: Revealing the Titanic's Secrets | 10/1/2008 | See Source »

...regularity of the tide until the climactic end. With noble, powerful gestures, Levine roused the entire symphony in the grand return of the opening theme. As the musicians struck the final notes, filling the entire Symphony Hall with the glorious finale, all audience members were drawn to their feet for several solid minutes of thunderous applause. The first two performances were undoubtedly enjoyable, but “Pictures,” without question, outshined the rest of the evening. Though Levine was asked to return to the stage multiple times for additional bows, no encore was played. But don?...

Author: By June Q. Wu, CRIMSON STAFF WRITER | Title: BSO Shines On Opening Night | 9/29/2008 | See Source »

...Scientists hope that what happens in the collider’s tunnel, sunk some 300 feet below the ground, may help to shed light on the mystery of dark matter, the ultra-massive entity that many theoreticians believe to be an important component of the universe. Some also have said that extra dimensions may be revealed when the collider works itself up to speed...

Author: By Christian B. Flow, CRIMSON STAFF WRITER | Title: Harvard Physicists Work on Collider | 9/25/2008 | See Source »

...hand, rough and calloused from hard labor, yet surprisingly sensitive. A cut pomegranate balanced heavily upon his long tapered fingers. Each seed gleamed redly from within the open wound of the fruit. It was the hand of The Stable Boy.A leopard lay at the Stable Boy’s feet in a bushel of spilt chestnuts. A collar, studded with amethysts and other gems of some mysterious allegorical import, encircled the creature’s neck; it read, “Tatiana.” One paw lay upon an elaborately bound volume: Aristotle?...

Author: By Lesley R. Winters, CONTRIBUTING WRITER | Title: The Stable Boy | 9/25/2008 | See Source »

...love for life with softer contours, sweeping strokes, and, oftentimes, a more variegated palette. Portrayals of masculine heroes from Greek and Roman mythology dominate the exhibit, which is the first retrospective of Wein’s work since his death in 1991. Their bodies are clearly defined. Their hands, feet, chests—any limb capable of evoking power—are elongated and disproportionate to the rest of the body. Their posture is stalwart, their eyes blankly intimidating. The emphasis is on sheer brawn. One could easily be overwhelmed by the amount of testosterone that radiates from much...

Author: By Denise J. Xu, CRIMSON STAFF WRITER | Title: Wein Blends Classic, Modern | 9/25/2008 | See Source »

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