Word: feets
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...high-intensity light - not spray paint. By standing on the roof of a parking lot across the street, he also avoids any danger of trespassing. When he's done, Yan erases the words by clicking a button on the laser pointer, connected to a laptop and projector at his feet. He then moves on to tag other prominent buildings, including the city's Cultural Centre...
...have convictions actually by the way. No, no, no. Sorry, I don't have any convictions in a court of law, apart from speeding when I was very young. But I have plenty of political convictions. Can you rescue me? God." Johnson is a natural comedian from his feet (often in his mouth) to the seemingly electrified tips of his abundant white-blond hair. The question that plagues his party leaders is whether this beguiling wit will propel him to political success or risible failure...
...Square harbors a multitude of bookstores whose stock and location span far more genres and square feet than the subsections of the Coop. Currently, there are more than 10 bookstores in the Square, itself just one triangular part of all of Cambridge—and this number is a new low. As recently as a few years ago, rents weren’t as high and there were even more bookstores dotting the Square’s storefront scene...
...strong, draws the blocking foul. Shooting two. Makes the first. The second-swish. 24-25. The Crimson can't keep playing from behind. 8:30 Terriers miss its first three in ages. Housman gets on the other end, takes a crossover dribble, then nails a beautiful jumpshot from 16 feet, putting the Crimson ahead for the first time since the 18:45 mark. 26-25. 7:20 Brittain takes Magnerelli to the basket, puts Terriers up 26-27. After turnover, McGreary saves layup, forces turnover. 6:40 But after Harris miss, no transition defense from Crimson, Lowe gets...
...first and only prop of the evening. Dressed in a skintight black bodysuit, Rollins seamlessly moved through a series of contortions reminiscent of her performances with “Cirque du Soleil.” This included flipping in and out of the hoop, hanging by her feet, and spinning wildly with her legs extended. Although it must have taken a significant amount of strength, Rollins made the entire performance seem effortless. A spoken-word piece by Gearóid Mac Lachlainn provided the audio for Kit Tempest’s choreography of “Teanga Eile/Second Tongue...