Word: fehlandt
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Dates: during 2000-2009
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Except for the hair (he cut it, sort of), Morris, 44, is still the same mouthy iconoclast he always was--only now his once controversial work has become the gold standard of creativity for a new generation of dancers, choreographers and critics. Charter company members like Tina Fehlandt are currently teaching the gospel of St. Mark to such prestigious ensembles as the American Ballet Theatre and the San Francisco Ballet, both of which commissioned new pieces from Morris this season. He is the subject of a just published coffee-table anthology of essays and interviews about L'Allegro. "Some...
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