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BERNARD MERGENDEILER was first sketched by Jules Feiffer in New York City in the late 1950's. An upper-class urban liberal, about 25 years old, he was anxiety-ridden and obsessed with sex, but he usually had to settle for platonic "meaningful relationships...

Author: By Jacob M. Schlesinger, | Title: Last Laughs | 11/23/1982 | See Source »

...introduction to his latest collection, Jules Feiffer describes the slice of America the cartooned pair was meant to symbolize: "Greenwich Village make-out men, wine and cheese parties...bosses who thought it was a violation of friendship to ask for a raise, anxious fathers sand possessive mothers. Village men and women explaining themselves in an endless babble of self-interest, self-loathing, and evasion." Bernard and Huey, Feiffer expains, were "Robert Benechley heroes launched into the Age of Freud...

Author: By Jacob M. Schlesinger, | Title: Last Laughs | 11/23/1982 | See Source »

GROWNUPS by Jules Feiffer...

Author: /time Magazine | Title: Theater: Scar Tissue | 12/21/1981 | See Source »

Utilizing autobiographical elements, Feiffer performs major surgery on an American Jewish family. He draws blood and then salts the wounds. His hero, Jake (Bob Dishy), is a well-regarded journalist in early middle age with a secure post on the New York Times. He seems agreeably married to an attractive wife, Louise (Cheryl Giannini), and they have a perky seven-year-old daughter named Edie (Jennifer Dundas...

Author: /time Magazine | Title: Theater: Scar Tissue | 12/21/1981 | See Source »

...cartoons, Jules Feiffer has saucily lampooned the neurotic as thinker. In previous plays (Little Murders; Hold Me; Knock Knock), he has caricatured U.S. society as a surrealistic maze of false values. In Grownups, he simply utters a scream of pain. - By T.E. Kalem

Author: /time Magazine | Title: Theater: Scar Tissue | 12/21/1981 | See Source »

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