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Spectacled Muralist Kadish and dapper Muralist Goldstein are both parlor pinks and both influenced by a Los Angeles esthete known as Lorser Feitelson. An able draughtsman with a shrewd eye for publicity, Artist Feitelson was anxiously trying to burst into the news last week as the prophet of a new art movement called Post-Surrealism or New Classicism. As an example of his new school's work he presented his own canvas entitled Genesis. Similar to fresco painting in technique, it showed a young lady's rear, her navel reflected in a mirror, a rising...

Author: /time Magazine | Title: Art: On a Mexican Wall | 4/1/1935 | See Source »

...Feitelson-Newking. These two artists played marbles together, went to Art School together, married, left the U. S. for Paris, there joined a group which has turned from Cubism, Imagism, Analysm, back to the vibrant humanity of the Renaissance. In the Autumn Salon in Paris, this group routed their loud rivals. Much was murmured about latter-day Renaissance. Encouraged, Feitelson, Newking, brought to the U. S. their pictures, which cleverly reproduce an old and gracious tradition...

Author: /time Magazine | Title: ART: Two Exhibitions | 5/18/1925 | See Source »

...Golden Sky (Feitelson) shows the influence of Giotto. Nude figures dream in a coppice, while the sun, drowning in the gulfs of the West, floods them with moted yellow light, tarnishing the trees with gold, melting to rose the ivory of their bodies...

Author: /time Magazine | Title: ART: Two Exhibitions | 5/18/1925 | See Source »

Because these painters have grown up under identical influences, and, indeed, influenced each other, the differences in their work are psychological rather than artistic. Psychoanalyst Sigmund Freud would have studied with cries of joy their respective pictures entitled The Bathers. Feitelson's nudes repose in a rhythm of dissolving, eager curves; his wife's are passive, virginal?cold images of desire pillared in water...

Author: /time Magazine | Title: ART: Two Exhibitions | 5/18/1925 | See Source »

...note of weariness in the work of the Ten Frenchmen, as if they were tired of marveling at the animated apprehensions of their own suave minds. Observers, noting this fatigue, remembering also the descent of the Classicist group upon the Fall Salon, weighed more reflectively the work of Feitelson, of Newking. Just such was the state of things when a thousand Holy Ladies, in the candle-flowered dusk of Latin cathedrals, suddenly smiled...

Author: /time Magazine | Title: ART: Two Exhibitions | 5/18/1925 | See Source »

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