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...light of these substantive considerations, it would be highly unfortunate if the peaceful settlement of the Planning 11-3b dispute were to divert attention from the more serious and fundamental issue of student power. A. Richard Feldman...

Author: NO WRITER ATTRIBUTED | Title: STUDENT VOICE IN COURSE PLANNING | 2/18/1969 | See Source »

...they the only celebs proffered by the picture. Producer Charles Feldman, apparently fearful of taking a Royale drubbing on his investment, has tried to bolster the box-office potential by casting Deborah Kerr as a mocking-burred Scotswoman, Orson Welles as an enemy agent, Jean-Paul Belmondo as a Foreign Legionnaire and George Raft as himself...

Author: /time Magazine | Title: Cinema: Keystone Cop-Out | 5/12/1967 | See Source »

CASINO ROYALE (Colgems). The surest musical bet that Producer Charles Feldman could make for the theme song of his $12 million, many-Bonded movie was Herb Alpert and the Tijuana Brass. Playing Burt Bacharach's music, Herb and the boys take the bull by the horns, while a very competent studio orchestra keeps the tail from dragging...

Author: /time Magazine | Title: Time Listings: May 5, 1967 | 5/5/1967 | See Source »

Sorcery abounds in the plot of Dido and Aeneas. But the real sorcerers in the current production of the Purcell opera are the music and stage directors, Brian Davenpor and Dennis Feldman, who have convincingly brought the opera alive using the most austere resources. The set contains nothing but backdrops, two sets of somewhat bleacher-like steps for the chorus, and three marvelous pillars that, when necessary, rotate to become trees. Shadows from the chandelier give depth and subtlety to this classically simple (though simply unclassical) design. The costumes possess the same flexibility through simplicity. This was especially valuable...

Author: By Stephen Hart, | Title: Dido and Aeneas | 12/2/1966 | See Source »

...Cambridge University by Diarist Samuel Pepys 278 years ago. Put together by William Caxton, the 15th century Englishman who first set English in movable type, the first half of the Ovid manuscript brought a record auction price of $252,000 at Sotheby's last week from Lew Feldman, a rare-book dealer in New York, who has recently picked up such prizes as T. S. Eliot's manuscript of The Waste Land. Says he: "The Ovid is of such startling uniquity that I doubt anything comparable will come up again...

Author: /time Magazine | Title: Collectors: From the Red Pale | 7/8/1966 | See Source »

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