Word: feldmans
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...looking. The eyes again. Another cat. Snarl. Fangs. Battle. A fierce toss of bodies, fearsome screeches, victory. The black cat moves on. All the while, words are appearing above, below, beside the animal. And people's names. Directed by Edward Dmytryk. Titles designed by Saul Bass. Charles K. Feldman presents Walk on the Wild Side...
...demand the concentration essential to divining the deepest beauty in other romantics, say Bruckner or Wagner; its sound initially excited me because of its claim to deepness, but then left me unmoved because it never sketched out a subtle emotional message. When the announcer said that Morton Feldman's Piano (Three Hands) was "infinite personal experience," he parodied just that pretentiousness of style...
...raise money for Gian Carlo Menotti's Festival of Two Worlds in Spoleto. Sold off with Burton and several minor works by Chagall and Tiepolo were Composer Menotti himself (for $501. to Novelist Pati Hill) and Conductor Thom as Schippers, who brought a mere $325 from Jean Feldman, ex-wife of Agent Charles Feldman. Schippers later registered a complaint with Maxwell: "Traitor, $350 for only an actor!" This week the proud owners were scheduled to feed their purchases at a champagne dinner in Manhattan, along with 125 paying guests. At $35 a head, the hosts figure on raising another...
...during Sylvia's freshman year, her life took an important new direction. By no coincidence, this was the year of the great October crash of the stock market, in which millions of dollars literally vanished in a day. Among the millions were some $30,000 that Mrs. Feldman had risked from her profits as a milliner. "It took a while for the pinch to really hurt," says Sylvia, "but when the roof fell in, I was appalled-and fascinated. How could something like that happen? How could so much money just disappear? I was damned curious." Sylvia decided...
Motion & Stillness. On last week's program the two principal pieces, both choreographed by Cunningham, were Summer-space and Antic Meet, set to music by two modernists-Morton Feldman, 35, and John Cage, 47. The first, described as "a lyric dance," was an impressionistic work evoking the shimmering heat of summer, the play of light and shade. It was danced before a pointillistic backdrop of blue and green, and the dancers wore similarly dappled costumes (the spots were sprayed on with a paint gun), which permitted them to disappear into and emerge from the scenery as if they were...