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Perhaps the public's protectionism is the result of false consciousness. We all learned in Ec 10 that free trade is good. But in American politics, the majority is always right, whether or not Martin Feldstein agrees. No prepared one-line zingers, no talking heads on cable TV, can alter that...

Author: By Jacques E. C. hymans, | Title: Economics Outside the Beltway | 11/9/1993 | See Source »

...which is taught by Baker Professor of Economics Martin S. Feldstein '61, enrolled 856 students this year, compared to 764 last year...

Author: By Manlio A. Goetzl, | Title: `Justice' Tops Course List | 9/29/1993 | See Source »

Conservative critics such as Baker Professor of Economics Martin S. Feldstein '61 have said such programs that link loan repayment to income wrongly distort work effort. Feldstein has also argued that taxpayers should not subsidize students who go to college, saying that students benefit from their choice in the form of high income

Author: By Marion B. Gammill, | Title: Clinton Unveils Student Aid Plan | 5/3/1993 | See Source »

Oppenheimer develops two plot levels that converge on the idea that we have been "robbed of our subconscious" and as a result our lives consist of "empty, vague, and performative" emotions. The immediate plot describes how the barbaric loner Frank (Robert Feldstein) forces himself on the civilized society of the idealic couple, Ernest (David Shafer) and Jane (Wynne D. Love). With incessant, nonsensical conversation on topics ranging from urban renewal projects to his illustrious career as a toll both operator, Frank intrudes upon Ernest and Jane's weekly picnic at the beach...

Author: By Edith Replogle, | Title: A New Take on the Theatre of Revolt | 4/29/1993 | See Source »

...Robert Feldstein, projects the uncouth Frank with energy and enthusiasm--Feldstein's wholehearted abandon even becomes disturbing. His soliloquies of terror at the passage of time and his grandfather clock are particularly moving. But in his frenzy of action, Feldstein sometimes sacrifices his lines, and the significant climaxes of his dialogue are difficult to understand...

Author: By Edith Replogle, | Title: A New Take on the Theatre of Revolt | 4/29/1993 | See Source »

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