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This change fixed up Claudia Cassidy and the Chicago Tribune fine, but left the rest of the Chicago press in bad shape musically. The Sun replaced Claudia with aging (70), venerable Felix Borowski, who has written eminently sound but eminently dull notes for the Chicago Symphony programs for years. The Chicago Daily News, on a policy of penny-wisdom, has been having its syrupy art critic, C. J. Bulliet, triple in brass: he writes not only music but movies and the theater. The Times has a stockbroker, R. J. Pollack, who writes music notes in his spare time (which...

Author: /time Magazine | Title: Music: Miss Cassidy of Chicago | 9/28/1942 | See Source »

...cabarets of the '80s and '90s echoed with tearjerkers: Cradle's Empty, Baby's Gone (Later parodied in Bottle's Empty, Father's Tight), A Little Faded Rosebud in Our Bible, The Little Lost Child, The Letter That Never Came. Thoroughly popular was Felix McGlennon's That Is Love...

Author: /time Magazine | Title: Music: History in Doggerel | 9/21/1942 | See Source »

Decision. In jampacked Washington, harried Felix Finzel, a bus driver, pulled up to the curb, put on the emergency brake, got out and quit bus driving forever, leaving a busful of argumentative passengers to their own devices...

Author: /time Magazine | Title: Miscellany, Sep. 7, 1942 | 9/7/1942 | See Source »

Bambi is the brown-eyed, white-scutted fawn of Felix Salten's somewhat candied forest idyl. Disney animates Bambi from birth to buck. He is an appealing, wonderfully articulated little deer, whose progressive discoveries of rain, snow, ice, the seasons, man, love, death, etc. make a neatly antlered allegory. Bambi's rubber-jointed, slack-limbed, coltish first steps in the art of walking are, even for Disney, inspired animation. The undying affection bestowed on him by a young skunk, whom Bambi inadvertently names Flower, is grade-A Disney. His wide-eyed encounter with an old mole who pops...

Author: /time Magazine | Title: The New Pictures, Aug. 24, 1942 | 8/24/1942 | See Source »

...late Felix Weingartner was the last of a generation of European super-conductors, and his recent death means the end of a musical era, as well as a great loss to Columbia. He, and his contemporaries, Seidl, Mahler, Mottl, etc., grew up in Germany when Germany was cock of the musical roost and knew it. They worked under Liszt in Weimar, they learnt their Wagner opera in Bayrenth under the eye of the "Master," and in the flush post-war days they made Salzburg a summer Mecca for European big-wigs, where Mozart and Beethoven had to fight Schiaparell...

Author: By Robert W. Flint, | Title: THE MUSIC BOX | 8/5/1942 | See Source »

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