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...situation comedies are less successful. Joe and Mabel (Tues. 9 p.m., E.D.T.) recounts the tribulations of a Brooklyn taxicab driver and his girl ("He's the sweetest fella a girl ever went to Florida without"), labors through improbable incidents and even less likely dialogue. The Charlie Farrell Show (Mon. 9 p.m., E.D.T.) takes place at the former screen star's plush Palm Springs Racquet Club; even in that glamorous setting it is corny and witless...

Author: /time Magazine | Title: Radio: Summer Replacements | 8/6/1956 | See Source »

...joyous rate of some 10,000 a day-or at about the clip of a good-selling pop single. Equally gratifying to showfolk was the advance order for two versions, single LP and big (3 LP) album, of Broadway's latest hit musical. The Most Happy Fella, which, at more than $500,000, was even bigger than My Fair Lady's had been. The figures added up to robust new evidence that the recorded...

Author: /time Magazine | Title: Music: Theater of the Ear | 6/25/1956 | See Source »

...albums represent the two current extremes of show styles: Lady is a descendant of Oklahoma! and South Pacific, with its pretty songs separated by plenty of action and dialogue. Fella comes from Italian opera buffa out of such frankly operatic efforts as Porgy and Bess -only 20 of its 140 minutes are filled with spoken words, a percentage which compares favorably with Mozart's Magic Flute. Putting such works on records required very special abilities, e.g., coaxing people whose first impulse is to mime and pose into playing entirely for the ear, and then creating in sound the invisible...

Author: /time Magazine | Title: Music: Theater of the Ear | 6/25/1956 | See Source »

...these two recordings was Columbia's new President Goddard Lieberson (TIME, Oct. u, 1954). Sitting behind the control-room glass in cotton jersey and slacks, he rolled in his chair, clutched his brow, his breast, his colleagues' arms, while demanding one take after another. His problem with Fella was simplified by the fact that the nearly continual music supplied almost all the required atmosphere, from the rowdy, Italianate folk-type songs to the entr'acte hit, Standing on the Corner, to the show's one deeply felt song, Warm All Over. Even so, there...

Author: /time Magazine | Title: Music: Theater of the Ear | 6/25/1956 | See Source »

Second Fiddle (Kay Starr; RCA Victor). A thrush with powerful pipes tells how she got her present fella because both were castoffs. From her unhappy tone, Kay seems uncertain that that is the best reason to set up housekeeping...

Author: /time Magazine | Title: Music: Pop Records | 6/11/1956 | See Source »

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