Word: fellini
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Dates: during 1970-1979
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Three months later one could say it. It didn't work. Elvis gives us an hour of Elvis in rehearsal, and the International in preparation, and then an other hour of Elvis performing before a tiered dining room of 2000 jeweled and mantanned manikins, a scene worthy of Fellini's Satyricon...
There are many fine touches: the Fellini-esque Bavarian music-makers who pop up on hillsides and in taverns, the bloated Wagnerian singers who rush at each other on stage as Conrad's eye seeks his victims in the opera balcony, the gaudy wedding cake of a hunting-lodge decked out for the Countess's garden party. And, finally, a surprise ending throws the ultimate psychological confusion into a film which plays bewitching games with violence...
...shot analysis will be applied to a wide variety of film classics. Among the films to be shown are early Dziga Vertov films, Griffiths' "Birth of a Nation," Chaplin's "Modern Times," the Odessa steps sequence from "Potemkin," Ford's "Stagecoach," Welles' "Citizen Kane," Kubrick's. "Dr. Strangelove," and Fellini's "81/2...
Died. Angelo Rizzoli, 80, Italian publisher who left a Milan orphanage at 17 to become a printer, built a publishing empire encompassing ten weekly magazines (20 million readers), became a film producer and sponsored more than 150 films by such leading directors as Michelangelo Antonioni (Red Desert) and Federico Fellini (La Dolce Vita); of complications from gall bladder disease; in Milan...
...paleness of pallid flesh, are demonically spell-binding. In fact, the succession of images-a giant stone head of Mussolini dragged across a bridge by two motorcycles, the fire-lit nude body of a homosexual eating dead cats amid the ruins of the Forum, Trintignant's eyes-recalls Fellini Satyricon in their bizarre intensity. It's a perverse film, as perverse as Fascism, and that analogy is in many ways the point of the movie...