Word: fellini
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...problems he has encountered living it. The black lad represents the soulful yearnings of his art, Gere plays his outlaw impulses, while others engage with his romantic and marital difficulties. Blanchett does him at the height of drug and celebrity-addled fame, which Haynes largely shoots in a Fellini-like manner (at one point she is obliged to wrestle around with the Beatles), which may not be the wisest possible choice...
...shown itself expert at imitating Hollywood and British genres: the Biblical epic turned into the sword-and-sandal muscleman movies, the sex-charged Hammer and Corman-Poe horror films made into even more erotic thrillers. For ordinary moviegoers of the 60s, the phrase "Italian films" did not conjure up Fellini, Antonioni and the glamour of alienation. It meant vigorous ripoffs of English-language genre films...
...other viewers, Antonioni - who had come to directing after being a film critic, an assistant director, a screenwriter (he scripted Federico Fellini's solo feature directorial debut, The White Sheik) and the maker of documentary shorts - was the first true modernist in commercial cinema. His pristine imagery and elegant compositions taught viewers to watch a movie, not just see it. Calling L'Avventura "easily, the film of the year," critic Pauline Kael hailed it for demonstrating "that the possibilities for serious, cultivated, personal film expression in the film medium were not yet exhausted." (The next year, she castigated La Notte...
...some emotions don't need words. In 1992, Antonioni received an award from the Italian government, and the assembled dignitaries lined up to congratulate him. Suddenly there was Fellini. Bursting with love and energy, he hugged his old colleague and gently caressed the back of Antonioni's head. A huge smile lighted his face; his cheeks were dappled with tears...
...vital Fellini was dead in a year; Antonioni lived another...