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Word: fellini (lookup in dictionary) (lookup stats)
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...selected movies, Ackerman continued, will be used for scholarly research rather than commercial exhibition. Students will be able to use individual films for writing honors theses and will also be able to make comparative studies of films by great directors such as Eisenstadt, Fellini, and Houston...

Author: NO WRITER ATTRIBUTED | Title: Harvard Studies Plans For N.E. Film Library | 11/12/1966 | See Source »

SWEET CHARITY, a musical suggested by Fellini's Nights of Cabirici, chronicles the sexcapades of a Manhattan taxi dancer who's looking for a one-way ticket to the altar. Gwen Verdon leads a high-kicking troupe through Bob Fosse's choreographic wonderland...

Author: /time Magazine | Title: Television: Nov. 11, 1966 | 11/11/1966 | See Source »

...Fuga seeks to identify itself with Fellini and the Confessional School of scripting. Sunstruck, overexposed, high contrast dream sequences play out in silence, or with spooky music. Nothing unusual happens in them, though. The unconscious was never before so uninteresting...

Author: By Jeremy W. Heist, | Title: La Fuga | 10/24/1966 | See Source »

...Federico Fellini has signed me to star in his next film for Dino De Laurentiis. Not too bad for a young "starlet...

Author: /time Magazine | Title: Letters: Oct. 7, 1966 | 10/7/1966 | See Source »

...assumption that a very personal movie will be automatically honest, alive and exciting. Instead, Jutra's wordy confessional sounds as though something may have been lost by rendering it into English, and often looks like a smattering of Jean-Luc Godard uneasily combined with the self-absorption of Fellini's 8½ or the glib self-exposure of Arthur Miller's After the Fall. "I wish only to move, surprise, provoke," Jutra has written. "The important thing in life is to have fun. The rest is a hoax." Unhappily, the mirror he holds...

Author: /time Magazine | Title: Cinema: Director's Diary | 5/6/1966 | See Source »

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