Word: fellinis
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Dates: during 1970-1979
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...trots in and out to recite banal Freudian explanations of Gideon's workaholism and promiscuous sexuality. Ben Vereen and dancers in cardiovascular body stockings hoof it up to songs with lyrics about death. A hospital fantasy sequence looks at once like an elaborate antismoking commercial, a parody of Fellini and a Vegas floor show. The results are shocking, but not in the way that Fosse intended...
...cannot be born; in this interregnum, a great variety of morbid symptoms appears." His Don, solemnly played by Ruggero Raimondi, is a joyless, brooding creature whose compulsive sexuality is merely a neurotic reflection of social tensions. Losey gives us the least passionate seducer on film since Fellini's curiously chilly portrait of Casanova a couple of years...
...craftsmen who for purely technical reasons are not called scriptwriters; they sell themselves with minimovies called commercials; they thrive on pseudo events-of which the Big Announcement is but one-contrived by people who work like stage managers; once in office they are quite as concerned with images as Fellini, though hardly for artistic ends...
...with his friends. Not unusual. But this kid also wants to race bicycles. In anticipation of the arrival of the Italian national team, he learns Italian and trains with his ten-speed. Which is to say he rides his bike down the street singing arias, renames the family cat Fellini, and chases coeds as Enrique, the Italian Exchange Student...
...Just as Fellini gives us a German conductor-cum-dictator to hammer home his message, so he creates his supposedly symbolic revolution out of such literal-minded devices as graffiti, falling plaster and gunshots. Certainly the movie's point comes through loud and clear, but, as art, Orchestra Rehearsal is distressingly tone-deaf...