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...core counterculture types -- like Steve Jobs, a Beatle- haired hippie who had dropped out of Reed College, and Steve Wozniak, a Hewlett-Packard engineer. Before their success with Apple, both Steves developed and sold ``blue boxes,'' outlaw devices for making free telephone calls. Their contemporary and early collaborator, Lee Felsenstein, who designed the first portable computer, known as the Osborne 1, was a New Left radical who wrote for the renowned underground paper the Berkeley Barb...

Author: /time Magazine | Title: WE OWE IT ALL TO THE HIPPIES | 3/1/1995 | See Source »

...idea was to bring together, for the first time, people from several generations of hackers, and his guests included some of the brightest stars in computing: Ted Nelson, author of Computer Lib, a widely read handbook from the mid-1970s; Stephen Wozniak, who built the original Apple computer; Lee Felsenstein, designer of the Osborne 1; Richard Greenblatt, who developed the LISP machines used in artificial-intelligence research; and Burrell Smith, a one time Apple repairman who went on to build the Macintosh computer...

Author: /time Magazine | Title: Computers: Let Us Now Praise Famous Hackers | 12/3/1984 | See Source »

Died. Walter Felsenstein, 74, director of East Berlin's Komische Oper since 1947; of cancer; in East Berlin. One of the century's most influential operatic impresarios, Vienna-born Felsenstein was a demanding perfectionist who sometimes rehearsed for 36-hour stretches. Once, when a reluctant chorus member declined to jump from a 7-ft.-high perch, Felsenstein made the leap, broke his arm and returned 45 minutes later waving his cast and demanding "Now will you jump?" Felsenstein retained his Austrian citizenship and commuted daily from his home in West Berlin to the East, where he turned...

Author: /time Magazine | Title: Milestones, Oct. 20, 1975 | 10/20/1975 | See Source »

Those familiar with Friedrich's background might have expected the unusual: an honored member of the East German Communist Party, he is deputy to the unorthodox Walter Felsenstein at the famed Komische Oper in East Berlin. Yet nobody seemed prepared for what appeared when Conductor Erich Leinsdorf lowered his baton for the overture. Tenor Hugh Beresford wandered over a barren wooden platform; instead of a balletic orgy, there was a huge human brain populated with frightening, dim figures miming psychiatric problems ranging from infantilism to sadomasochism. Venus arrived looking like a Reeperbahn stripper...

Author: /time Magazine | Title: Music: Left-Wing Wagner | 8/14/1972 | See Source »

...Felsenstein has now spent 16 years at the Komische Oper. His very first production established the company's reputation, but it has taken years to develop a repertory of Felsenstein chefs-d'oeuvre. The commuting director still remains immune to any thought about whose side his operas might be on, but even if such worries should begin to plague him, his age and his years with his company provide him with a serene excuse to reject any thought of leaving the Komische Oper for some place out West. "This is my life's work," he says...

Author: /time Magazine | Title: Opera: Midas Across the Wall | 10/18/1963 | See Source »

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