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Word: felsenstein (lookup in dictionary) (lookup stats)
Dates: during 1959-1959
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Usage:

...Scala-were performing brilliant and strikingly different productions of Turandot. According to the libretto, Chinese Princess Turandot is a creature of "ice which gives fire," and the productions mirrored the icily realistic and warmly romantic visions of two master directors of opera: East Berlin's Walter Felsenstein, Vienna's Margherita Wallmann...

Author: /time Magazine | Title: Music: Two Faces of Turandot | 1/5/1959 | See Source »

...Felsenstein, opera is a highly seasoned slice of life; to Wallmann, it is musical pie-in-the-sky. East Berlin's Turandot, staged by Felsenstein Protégé Joachim Herz but supervised by the boss himself, stressed naturalistic stage effects, an infinite concern for dramatic detail, and acting of startling realism. The curtain rose on an iron grille stretched across the proscenium, representing the palace gate separating the chorus of rag-clad Chinese from the palace courtyard, where one of Turandot's unsuccessful suitors was about to be executed. The mob faced the audience in silence...

Author: /time Magazine | Title: Music: Two Faces of Turandot | 1/5/1959 | See Source »

Fire & Ice. Neither Wallmann nor Felsenstein, both born in Vienna, began their careers in the world of opera. Felsenstein started out to be an actor, drifted into opera directing in the 1920s. He took over the Komische Oper in 1947, speedily built it into the operatic showcase of a city that also boasts the East Berlin State Opera and the vigorously competing West Berlin Municipal Opera. In a kind of operatic cold war, Felsenstein's now classic productions of Carmen, Tales of Hoffmann, The Bartered Bride attract as many operagoers from West Berlin (where Fetsenstein lives for maximum comfort...

Author: /time Magazine | Title: Music: Two Faces of Turandot | 1/5/1959 | See Source »

...career when she fell through a trap door on the Vienna opera stage and broke her hip. She turned to choreography, gradually took on opera-directing chores, is now one of the most sought-after directors in Europe. She is an ardent admirer but not a disciple of Felsenstein, believes that his coldly analytical visions have no place in Milan's mistily sentimental house. Between them, Directors Felsenstein and Wallmann have done much to restore Puccini's fire-and-ice masterpiece to the fame it deserves...

Author: /time Magazine | Title: Music: Two Faces of Turandot | 1/5/1959 | See Source »

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