Word: felted
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Dates: during 1960-1969
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Inevitably, there were those who, while not denying the deed, felt it would be better left untold. After a G.I. witness described on television what he had seen at My Lai, Colorado Senator Peter Dominick asked: "What kind of country do we have when that kind of garbage gets put on the air?" A more pertinent question was raised by William Fulbright, chairman of the Senate Foreign Relations Committee. "This incident can cause grave concern all over the world," he said, "as to what kind of country we are." Countless U.S. citizens, whether foes or critics...
...edits the militantly leftist weekly La Gauche (circ. 5,000), has written a number of books. His most recent is a two-volume work titled Marxist Economic Theory. Critics both in the U.S. and abroad have praised the book's fresh, undoctrinaire approach to Marxism, and the Economist felt that "no student can afford to ignore this very important work." Mandel's ideas may clash with American beliefs, but there is something absurd in the whole Mc-Carran Act notion that the U.S. must be protected from dangerous alien contamination by keeping out certain travelers...
...than four hours. Last week Tito threw a party to celebrate the premiere, and his guest list included many of the international "cast of thousands"-Orson Welles, Yul Brynner, Franco Nero, Curt Jurgens, Hardy Kruger. Who plays Tito? No one. The biggest hero of the piece makes his presence felt without ever confronting the camera...
...went out for wrestling at Foster High, and I was good. But I didn't know if I wanted to win or lose. If I won, I felt sorry for the other guy. And if I lose, I think, that's not good, I didn't try, I should of won. And I would...
Memories of Zapruder. By definition Z is a polemic. The film plainly exaggerates the horrors of the present Greek scene. But it is a po'emic that was created, not just felt, partly by using dialogue that is more like lyrics than speech. According to traditionalist historians, there is no history, only biography. Z reverses the proposition; there are only forces, not men. Accordingly, the leading roles are the sort one would find on a chessboard. In an essentially small part, Montand is again Camus-like, at once involved and lofty. Trintignant, more through skill than script, turns...